Dubai asks the question, Yes, but is it art?

Until recently, Dubai seemed content with its reputationas a booming former backwater, flush with oil revenues andripe for investment, but absent of any culture saveconspicuous consumption. Having firmly established its identity as a tax-freecommercial oasis in a politically volatile region, in 2005,the UAE’s second largest emirate decided to accelerate thediversification of its economy away from oil revenues andattract a new breed of foreign capital—artworks. Riding the wave of skyrocketing international contemporarysales, and underpinned by an emergent class of buyers fromRussia, China, and India, Dubai would position itself as aglobal hub linking hungry, if undiscerning collectors inburgeoning non-Western markets with their more establishedcounterparts in London and New York. To this effect, Christie’s Auction House opened regionaloffices in Dubai in 2005, and has held three auctions sincethen in which, according to Michael Jeha, Christie’s Dubaimanaging director, 90% of the lots were sold, even if cynicspoint out that between Christie’s twin inaugural auctionsheld