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Fairouz in Damascus

by Nicholas Blanford

For someone who has always abjured the political fray, the much beloved Lebanese diva, Fairouz, recently found herself inadvertently embroiled in the poisonous rift between Lebanon and Syria. It is sadly inevitable that art and sport have a tendency to become the chattels of feuding politicians, and given the iconic status of Fairouz, there was little surprise that her decision to sing in Damascus would evoke condemnation, feelings of betrayal, sympathy and Schadenfreude on either side of the border in roughly equal measure. The 73-year-old diva performed her classic 1970 musical “Sah al-Nom” in a six-day run, as part of a year-long series of events to mark UNESCO designating Damascus the 2008 Arab capital of culture. Her decision to sing in Damascus, however, split her fan base in Lebanon between those arguing that Fairouz should not sing before the rulers of a country blamed for a string of assassinations in

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