Executive sat down for an interview with Farid Chehab, the chief creative officer (CCO) and chairman of Leo Burnett CEEMA. Renowned in the advertising industry, Chehab began his career in 1970 at Young and Rubicam in Beirut, moving on to co-found H&C Advertising in 1974. Later in 1991, H&C formed a partnership with Leo Burnett and Chehab was appointed chairman and CCO of Leo Burnett ME. Today, he oversees the general orientation of the company and its creative output.

E Recently, there have been a substantial number of unsettled payments subsequent to the campaign completions. Have you witnessed any such occurrences in the industry?

Fortunately, no, we have good clients. Of course a lot of agencies have witnessed situations of non-payment. It’s a serious problem — whenever they don’t pay, it’s serious. The problem is especially in the media houses, because there is a mass amount of money that goes back and forth.

E How can this problem be solved?

You have to start from the beginning. For a long time agencies have not been able to elevate themselves to the rank of being partners and consultants to clients. It’s our fault that we have reached a point whereby we are mistreated by some clients for non-payments. Can you envisage non-payments when you talk to consultants? It never happens. Whenever it happens with agencies, it’s because the market — the industry — has been giving and giving and giving to the client and saying “don’t pay now, pay later.” So how do I cure that? We have to start doing it ourselves. We have to start getting ourselves to become more respected by the client so that this never happens. We have to recognize our role as idea agencies, idea companies — not just trading space in newspapers. Today, the economic situation is pushing clients to start looking at creativity because without creativity you don’t have any affect anymore. Whether you pay it or not, there is no more money now to be spent so you really need something that is more effective. Today with online communication you can measure the effectiveness of your idea in terms of upload clicks and the viral effect. So the client now knows whether his campaign is working or not. Hence, I think slowly we are going to go into a virtuous circle, not a vicious circle.

E New campaign deals in 2009 are reportedly down by more than 50 percent in the Gulf. How are you restructuring your strategic objectives and budget considering this downturn? 

First, we don’t know how much we’re going to lose; we don’t know what the drop will be. We are waiting for the end of March. I think that from now till the end of March we will have a bigger and better picture of the situation. I do not consider the situation to be lethal. There are going to be corrections; clients now want to have value for their investments and this is going to translate into better communication. It’s going to be sharper and savvier. Agencies that cannot survive a crisis like this will die and this is good; it’s a correction. I’m not looking at it from a negative perspective — I don’t think it’s the end of the world. As long as people keep consuming, you’re going to keep on selling. The wheel of the world is not going to stop. It’s a crisis, we’re going to have corrections and we’ll start all over again. Leo Burnett, for example, was born in the middle of the Great Depression. Leo Burnett opened his agency during the 1930s in the midst of chaos!

E A lot of companies are cutting costs and downsizing, how will this affect the staffing situation in the MENA region?

There might be downsizing by necessity, but we’re not sure. There will be downsizing in the industry, definitely, but I don’t know how much. Relocating will not help a lot. We don’t have plans to relocate. This crisis is going to generate a new way to work because we are not in a situation where we can spend lavishly. Most probably we’re going to be forced to be much more online. In so many cases today we’re still spending lavishly. The whole crisis is going to create a vacuum. The job losses are going to be a plague on all fronts, so people must find a way now to re-adapt. There will be problems for some and opportunities for others. It’s the survival of the fittest.

E What challenges has Leo Burnett faced since the financial crisis began taking its toll on the region?

Lots of budget restrictions. Budgets are the biggest challenge. We have been preparing ourselves for some time now to adapt to the new givens of modern economy, i.e. using more online communication, understanding that it’s a people era and that if you do not talk to people, you are not doing your job properly. This crisis is going to bring up the people era more than ever because restrictions are going to push everybody online. Online is people, it is one-to-one. So we have been educating our people to face it. We don’t have any problem with this crisis [happening]. The only problem we’re going to face with others is the fact that budgets are going to shrink because of the situation.

E What sectors of your clients do you think will be most adversely or positively affected? Will it be the financial clients, real estate, etc.?

The consumer goods will not suffer a lot. Definitely real estate is going to suffer. We are blessed to have very solid financial clients like Bank Audi. But we have financial clients that will suffer albeit not significantly or as much as real estate [clients]. The only area that is very hurt is real estate and we don’t know how the sales are going to move. We’re in a situation where we review it every month, sometimes every two weeks.

E What do you see as the key element to give a competitive advantage to advertisers to weather the economic downturn?

Creativity, creativity and creativity. We are more than ever an idea culture. In order to have a competitive edge, knowing that clients do not have budgets to spend, what do we do? We tell the client, ‘I’m going to give you ideas that are so powerful, that when you put them in the face of people, they’re going to be the ambassadors for your brand.’ That means we now have a duty to produce creative advertising that delivers on this. Before, we didn’t have this necessity because with mass media you bombard consumers with ads and you didn’t know whether or not your campaign is good or not. Agencies are going to start asking clients, ‘Let me give you the opportunity to show you how viral you can become. Let me show you how many clicks we can make people deliver for you.’ Clients will take that because they, first, don’t have the money, and second, because they can benchmark. Then we as agencies will be paid as consultants, we’ll be paid for the power of the idea. We’ll become like actors who have their box office. That’s how we’re going to move on the requests of the client and I think this is very good.

As a leader in outdoor advertising, Pikasso operates in Jordan, Lebanon, Iraq, Algeria and Egypt. At the MENA Cristal Awards, Executive enjoyed a one-on-one chat with the CEO of Pikasso, Antonio Vincenti, to discuss the role of outdoor advertising in the Middle East.

E The Middle East is witnessing a kind of ‘billboard overdose’, so to speak. In your opinion, how can outdoor advertisers increase the quality of billboards while decreasing the quantity?

The only thing to do is to work hand-in-hand with municipalities to convince them of the importance of the environment. The thing is that if we campaign too much on the environment, then the decision from the authorities is very harsh. We have already lived though that in 1995, but we cannot let the situation continue.

E Of the countries that Pikasso operates in, which one presents the most challenges for you?

I’ll tell you something — in Jordan and Algeria there is the rule of law, and it is respected 100 percent. In Egypt it’s chaos, because they are not granting permits anymore. In Iraq they are in war, so we cannot judge. In Lebanon you have the worst and the best.

E Do you think media in the MENA region lacks creativity? Why hasn’t this part of the world embraced new media?

Yes and no, depending on the countries. Now to embrace or adopt the new things you need the financial means. When you see the unit price we are selling in Lebanon and compare it to Amman or Algeria, it’s ridiculous. We sell a billboard today in Lebanon at a price five times lower than in Jordan. It’s abnormal! Why is it? They [Lebanese] don’t have the means.

E What about with the financial crisis — have you noticed that your clients’ budgets have been affected?

No, no. We are not touched by the crisis in our region. I don’t think  our [operating] region — Lebanon, Jordan, Iraq, Algeria and Egypt — was affected. Maybe very slightly in Jordan, but I have doubts about it, I don’t think so.

E Do you have real estate and banking clients?

No, real estate was never important for us. In Lebanon as a sector they were not important for us. They were not advertising a lot.

E Regarding advertising research, you’ve mentioned that it is not really taken seriously in this region. How do you think that it will start to make a difference in the industry?

I think that with the worldwide crisis now and with the media booking companies, more and more we’ll move towards more demands from clients. They will ask for more research. Today we can lose a campaign over $2. I mean [clients] say they want to pay $80 and we say for example that we won’t sell for less than $82. But for us, $2 is a lot in Lebanon. If you have 3,400 billboards, it’s a $6,800 per week difference and [multiplied] by 52 weeks it makes $300,000 so it’s a real, significant amount.

E At the Cristal awards, you mentioned an example of polluting natural landscapes like Faqra, Lebanon with billboards. When do you, as a company, decide to draw the line to not invade the space of your consumers?

I’m telling you I do it because it’s in my guts, it’s in my principles. I feel that it’s a taboo; we’re not authorized to go beyond a certain point. But whenever we do that, I feel frustrated from a business perspective. I say, ‘Well look at all those [advertisers] installing here in Faraya and Faqra, we’re the only stupid dummy people?’ This is what I’m telling you, people come to spend the weekend and relax… it’s not that they want to come and feel invaded by ads. This is it.

E What challenges have you faced in the past few months?

Nothing, nothing. I told you no because anyway we fly low, we don’t fly high. In Lebanon it’s not that you fly high, let’s be realistic.

E Is there anything else you would like to add?

We are creating syndicates of outdoor companies, I’m working a lot on that. I have high hopes. I think that after the elections, the minister of interior will have time to dedicate in order to regulate outdoor advertising seriously.

As the president for DDP Middle East and Africa, EVP, COO and chief people officer DDB Europe, Mr. Patrick Ehringer is a man of many hats. Responsible for ensuring that local and senior managers maintain a desired business focus and achieve the network’s objectives, Ehringer is also a strong promoter of DDB Travel & Tourism and DDB Matrix — the DDB tool for measuring marketing mix investment impact on sales. In 2007, the French prime minister appointed him foreign trade counselor of France. Executive had the pleasure of sitting down with Ehringer for a candid discussion about the advertising industry and its role amidst the global financial downturn.

E In your opinion, what constructive role can the advertising industry play in the financial crisis?

I can start with a little example, which will help you understand what kind of role we can play. The crisis is driven by three main activities in this region. The ones who will suffer the most from the crisis are obviously real estate, financial institutions and maybe telecom. The big two are financial institutions and real estate. Before, people were putting real estate products in the market and they were basically pre-sold, because of the speculation. Our role was actually minimal. But now [things] have changed completely, because if they bring the product on the market, they will need communication and need to explain why their product is better than the other one. Then we actually go back to our initial role, which consists of being on the consumer side and explaining to the consumer what is the benefit for them. Now for all the products — whether its FMCG or others — we are back to our role, which consists of providing the communication and the information for the consumer to buy the product. The competition will be higher because the one who will resist the crisis will definitely be stronger. We have to contribute. One of the aspects mentioned in [CEO Chuck Brymer’s book] is the fact that because our world has changed, now we’re in a situation where everything is a beacon for communication, the acceleration of all the phenomena during the past 10 years is amazing. The individual, even if he’s still individualist, he belongs to a community. When he belongs to a community, he belongs because he has common characters or choices and he usually belongs to a community because he loves the same things as other members of the community. If you’re talking about brands — and that’s what we’re doing, we’re building brands — we’re going one step further and are building communities of brand lovers. Now if we, in the crisis, can play a role of putting a little bit of optimism and making the people understand that there are opportunities because now the best will survive, and there are opportunities for the consumer to get the best product among what used to be mass, then we’ll play our role.

E Does it force your agency to become more creative when your clients’ budgets are more restricted? Perhaps the optimism you mentioned is able to shine via creativity in times of financial downturn.

Definitely, yes. A couple of things — first, it is very easy for an advertiser to decide that communication budgets can be cut, because there is no immediate impact except for the PNL. In other words, the first thing you do if you want to match your objectives and you have difficulties because of the crisis, the first reflex — I’m not saying it’s a good one — could easily be cutting the communication budget; it’s like a tanker, the brand will still continue on their values. It is, of course, a mistake because if you do this, the cost to re-launch the process is much higher than the benefit you’re getting on the very short-term, which means that in the middle and long-term you’re losing. The clever advertisers are the ones that are able to keep the budget at the moment the others are cutting because they’re getting a leading position. Now we can help, because we’re supposed to be a business solution provider, we provide creative solutions to business issues our clients may have. We owe our clients more creative ideas on how they can go through this crisis — either on the way they have to communicate or on the way they have to make their product evolve around their own resources. We actually help and one of our processes consists of co-creating together, which means that with their input and our expertise, together we can be on top of the crowd.

Let me give you another example. If we are approached by advertisers to communicate and they have a low budget — now we have a range of vehicles for communication which allows us to become more creative in our recommendation in order to touch the consumer — the net is a less expensive way to approach the consumer and it’s more interactive, one-to-one. We can reach people on a larger scale. This idea of swarming as a herd, like a school of fish — it’s not one fish suddenly telling the fish to go right or left, no. It’s just one that has seen something like food or danger who is reacting and giving the information to the next one and giving the information to the next one. Nowadays, technology allows us to have this kind of application if you want – that’s why there is a similarity between what is happening in a school of fish and what is happening in our world with the Internet. It means that if you are not there, in order to watch what is happening on the net, then you can miss an opportunity or even sometimes be in danger.

“The net is a less expensive way to approach the consumer and it’s more interactive one-to-one”

E Other than FMCG what kind of clients do you have? Do you have financial or real estate clients?

We were not touched at all by the real estate crisis. I know some other networks that had a lot of problems because they have bigger clients, but our clients in the region have not been affected. Honestly, for the moment we’re not concerned by any big crisis among our clients.

E Have the budgets of your clients been affected at all?

Honestly, no. You have to understand… there is a kind of ambiance where most of the companies are actually taking measures in advance and the reason why they’re doing this is because of the uncertainty of the future. It’s natural. It is important to make the people understand — I’m having the same discussion with my team from the Levant later on in order to give my recommendation for 2009. I have no recipe and I am unable to predict what will happen in 2009, but we can make ourselves a bit more prepared in order not to be surprised by the future.

One of the aspects is, of course, that we have to become even more creative and be even closer to our clients and we have to keep some kind of optimism. It’s like the story of the glass — do you see it half full or half empty? Now, I can be prudent, I can anticipate difficulties, uncertainties…I can also decide that instead of being pessimistic, I’ll be optimistic because I trust my people, I trust the team and I trust our ability to fulfill our obligation vis-à-vis the client. To become even more creative, to have more, to provide the client with a solution every time they are in trouble or have an issue. They can count on us to actually think with them about the way to get out of this uncertainty. But I can be optimistic because I know that we all lead the passion we have for the brand of our client and that’s key. It means that overall, we didn’t have big cuts but we have in front of us prudent clients and we have the same attitude and it’s fine. It’s a natural process. The only thing I’m recommending all of us to keep in mind is the fact that if you are pessimistic, you’re not really helping. If you’re overly optimistic you’re not really helping. The only thing I’m asking our troops here is to keep in mind that we must be on alert and take any opportunities for our client and for ourselves. We need to lead the change.

If you want to talk, generally speaking, about the situation it’s very interesting. The situation is very different between what is happening in the Gulf and what is happening in Lebanon. Lebanon benefited from the past years. If you look at the interviews or the press releases made by the people from the communication sector, it’s obvious that Lebanon considers 2008 as a good year. But it was a good year because the past one was not that good. We are in a growing trend here.

E What about the notion of new creative media? Is there a reason that Arab media hasn’t embraced the practice of creative media?

I’m not sure I agree with you that it’s not embraced. It is used. I’m a member of the corporate jury [for the MENA Cristal Awards] and we saw the campaign [for the Gran Prix] and it’s a great cause campaign for women. It’s a very interesting campaign because it’s a real integrated campaign. Now what is interesting is the fact that they’re using new media and it’s not only the web, it’s street marketing. You know what the best medium is now? It’s the consumer. The consumer is the best medium. The consumer is actually the one communicating on the Internet with somebody else, who tells somebody else. It is word of mouth. In one night, you can promote or kill a brand. It is the same thing here in the same way. You may not have the same penetration level, but you have the same use of the new medium. It is definitely something you have to take into account in addition to traditional media, especially here in Lebanon.

E What countries in the MENA region do you think present the most opportunity for growth in 2009?

Most people will answer the countries having money and producing oil or gas: Saudi Arabia, Abu Dhabi and Qatar. The position of Dubai and Beirut will change. Beirut is the experience, the history of having a leading position. It suddenly lost a bit of this position because Dubai took over some of the former role Beirut was playing. It’s interesting to see that if we keep this country stable, some headquarters may come back. Everybody is talking about Coca Cola coming back to Beirut to relocate their headquarters here. It’s interesting because I think we’ll have a more balanced position between three big capitals — Beirut, Dubai and Cairo. The North African countries will come a little bit later. I was talking to somebody over the phone who is close to a real estate company in Saudi Arabia, they make their plans on the basis on around $40-45 per barrel, which is about what the price is now. This is the acceptable range and they are actually building their plans on this basis, which means that if they stay on this range the money will come and they will actually re-build their treasury opportunities. They will be the ones helping the other countries. Dubai is known to be somewhat helped by Abu Dhabi. Qatar has a lot of opportunities.

E  In terms of the advertising industry, which countries have the opportunities for growth this year?

Talent is key in our business. We have no assets in our business, we only have people. The values of DDB are creativity and humanity. Humanity just because of the way we look at the consumer and decide that behind the consumer, behind the person you actually want to touch there is a human being. You need to have the proper insight in order to approach him. We consider humanity because we consider ourselves a human network. Now for priorities, we have people, products, performance, ownership…all these in that order. These people will work from Dubai. Most of our agencies do not have any territorial exclusivity anymore. We go where the clients are.

With more than 20 years  experience in the advertising industry, Dani Richa currently holds the presidency of the International Advertising Association’s Lebanon Chapter and is the chief operating officer of Impact BBDO Levant, North Africa and Saudi Arabia. At the MENA Cristal Awards, Executive spoke to Richa to get an insider’s view of the regional advertising industry and its future during a period of financial turmoil.

E As the region begins to cope with the global economic downturn, what do you project in terms of the bottom line for advertisers in the year to come?

Unfortunately, the most affected market is going to be the UAE and especially Dubai, which stands to suffer the most. The media and ad agencies in Dubai have essentially two markets; the Dubai market and the regional market out of Dubai. The Dubai market, I hate to say, will experience a severe cut that could go up to 50 percent, slashing advertising budgets in half, which is massive. It’s really dramatic because in Dubai, the biggest spenders are real estate companies and given that the real estate sector is in trouble, as a lot of projects [have been] stopped or slashed in half, and the financial institutions which are linked to the real estate sector [are] cutting their spending. I foresee a big cut. Now, people will continue to eat and drink so fast moving consumer goods will be alright.

These categories mainly deal with pan-Arab satellite communications out of Dubai and this will be hit by a maximum of 20 percent. Which means that on average, if you balance the regional with the local advertising sector as a whole, it could suffer a cut of 20-25 percent. That said, a lot will depend on the price of oil. If the price of oil goes up everything will be fine. If it continues to drop or stagnate they [Gulf countries] will have a difficult year and the repercussions on our industry will amount to cuts of around 10-15 percent in the Saudi market, which is steep because this is the market driving the whole region.

E We have seen a lot of examples of staff layoffs and reallocation of resources. Some advertisers have even moved their base of operations out of Dubai to places like Beirut. Do you see this as a trend that is going to continue in the regional advertising industry?

There are tough times ahead but let’s not forget that companies were hiring like there is no tomorrow and increasing headcounts like crazy, so I don’t see companies losing a lot of people in the sector because the hiring has stopped. Some companies will use this opportunity to get rid of some dead wood. Obviously in some sectors that have really been hit, good people will have to leave. We all know that Dubai was a very attractive location in the region and it was very difficult to get people to go to other countries in the Gulf. Now is an opportunity to get good talent spread across the region, so relocation is definitely something we look at. In our case, we opened two or three offices last year and we are opening some more so we need people for the offices we have opened in Abu Dhabi, Qatar and Algeria as all of these are start-ups. They are emerging economies; they need people. We were having a lot of difficulty getting people because the industry grew very fast and this is why we had to import talent from outside the region. When I hear that thousands of people are coming back to Lebanon I don’t think it’s that dramatic. A lot of people may be leaving Dubai but they are going to other places in the region like Abu Dhabi, Saudi or Kuwait.

E So where do you think the new hotspots are in the region, given that places like Qatar are still expected to grow during times of global recession?

A country like Qatar has a lot of wealth in natural resources between gas and oil so they are not really looking at manufacturing and consumer sales as a basis for their economy. The countries that are more reliant on oil will suffer the least, especially if the price of oil goes up. This is why places like Dubai which are more commerce based economies stand to be hit the most. In the region, I think that multinationals have had disproportionate [advertising] interests in the GCC versus the rest of the region. The amount of profits that were being made in the Levant and North Africa pale in comparison to those of the GCC. Now, the trend is shifting to not putting all of your eggs in one basket in order to achieve a diversification of risk as well as looking at emerging markets in the region. In terms of Lebanon, I think we will probably be affected the least, even though we don’t depend on oil. We have been out of the game for so long that we didn’t really benefit from the boom that was happening in the GCC. By the same token, we won’t be affected as much by the crisis that has happened there. Lebanon is an introverted economy and we could even stand to benefit from this crisis. If you look at the advertising industry as a whole, Lebanon has been struggling with around $80-100 million for the last 15 years. Last year was one of the better years but it was far from being the best possible because we are so far behind in terms of the total advertising spent in the MENA region, which is about $3 billion. Hence, we have a lot of catching up to do and I am not just talking about a 10 percent year-on-year growth. We need a major adjustment to get where we want to go.

E Staying with Lebanon, we have already seen a lot of electoral ad campaigns for political parties in light of the upcoming elections in June. What do you think the consequences for the advertising industry will be in terms of taking up ad campaigns for candidates?

We are forecasting good growth and this growth is mainly coming from electoral campaigns. Even though a lot of these parties have their own TV channels, outdoor is a key medium because it’s in the streets and is by nature a populous medium. It’s like launching 250 new brands because there are at least 250 candidates that will promote themselves and I expect an average investment of $200,000. This could mean up to $50 million in additional revenue for the ad industry, which is a massive jump up from $100 million. Even if it is half of that, it is already major. I think that outdoor will stand to benefit most. But because outdoor is going to be so saturated, there will be an overspill that could benefit different media. Especially since active commercial brands won’t find availability in the outdoor medium so they will have to go look at alternative media. Lebanon lost its role as the center of the Middle East a while ago and we almost lost our role as the center of the Levant to Amman over the past few years. I think that if we in Lebanon are smart and if we have one or two good years, we can reclaim our role as a hub for the Levant and North Africa.

Mr. Christian Cappe is the president of the 2C Associés, CEO of the MENA Cristal Awards and general director of the Méribel Ad Festival. Based in France, 2C Associés is among the top ranked event agencies specializing in the imaging and audiovisual domains. In addition to the MENA Cristal Awards and Méribel Ad Festival, 2C Associés has produced and organized many events such as the China Cristal Awards and the European Corporate Responsibility Festival. Executive had the opportunity to enjoy an interview with Cappe at the MENA Cristal Awards in Faraya, Lebanon.

E When were the MENA Cristal Awards inaugurated and what was the idea behind them?

The MENA Cristal Awards were created four years ago with the same aim of Méribel Ad Festival, which was launched in 2001. The concept is to put together the clients, agencies, media and production houses in a very cool place for networking. They have lunch and dinner together, go to conferences, and also see the best works of advertising.

The first year it was in Morocco. We tried to find a ski resort and hotel in the Arab world, but there are not many solutions… so here, in Lebanon, the infrastructure is exactly what we want.

E Is that the only reason why you chose Lebanon?

Firstly, because of its ski resort and secondly because Lebanon contributed to the launch of the advertising industry in the Middle East. Dubai is certainly the hub of the region in advertising, but the talents and educational systems in Lebanon make the people very well trained and prepared.

E Did you have any difficulties preparing for the MENA Cristal Awards in Lebanon in previous years?

It has been in Lebanon for the last three years, and it was very challenging. When we organized the second edition of MENA Cristal Awards — for the first time in Lebanon — in January 2007. It was five months after the war. On July 12, 2006 when the war began, we were negotiating the partnership in the Middle East’s head office at eleven o’clock in the morning, but I stayed [in Lebanon]. Later, I went home to France through Syria but came back to see the hotel [Mzaar Intercontinental in Faraya]. In the beginning, it was a little bit difficult — not to organize, because the Lebanon people are so nice — but the people coming from abroad were a little bit anxious about coming here. The last two years, some people decided not to come at the last minute. This year, it is quite the opposite. Cécilia Attias, Dominique Baudis, president of the Arab World Institute, Osman Sultan, CEO of Du and Michael Maedel, the president of JWT Worldwide, as well as many other important people are participating.

E During recent years, how has the innovation, creativity and quality of the advertising industry evolved?

For me, what I can say is that two years ago, we were very impressed by the quality of works at an international level. It has improved over the years because all agencies are becoming a kind of a melting pot; people are coming from everywhere and that mélange boosts creativity. So it becomes more creative every year. It [advertising] is at a very high level in the region and it is very difficult to cater to all the different environments — communication varies in Egypt, Saudi Arabia, Abu Dhabi, Dubai and Lebanon. There are many markets and they are quite different.

E Due to the current global financial chaos, what are the major challenges that advertising agencies are facing right now?

I think that the most important thing is to see what clients need; they need specificity in communication, they need to emerge and that is the reason why the creativity is the most important target of the agencies now. After that, they have to use new media so the clients can precisely identify their return on investment. Digital media is now developing rapidly. The challenges and budget constraints are there but it depends on when and where. For example, Dubai is definitely suffering a lot since they are cutting their budgets, but when you cut the entire budget, you have to begin all over again. So it is sort of a new departure and I think that the next six months will be difficult but then it will be pushed up again. I have heard that next year people expect oil prices to go up to $100 because the trend is to get the barrel price higher than the actual price. That is the reason why I think that the crisis here is quite temporary; it will be violent, but temporary. But it is not the same thing in Lebanon; Lebanon will be affected a little bit but not as much because the banking sector is very secure and there is a strong entrepreneurial spirit. The Saudi market is very dynamic and it is the chief market in the region. Saudi is not affected as much as the UAE. The foundations of the Saudi market are very strong. Some people told me that they are suffering and there is a lack of liquidity, but they have not stopped operating. We still need TV and magazines and perhaps more digital advertising, like mobile communication. That is the reason why Osman Sultan is here, as we want to demonstrate that through mobile technology, we can push advertising innovation.

E Is there anything else you would like to add about the awards?

We have seven main media awards and each award is appraised on different parameters. The most important aspect is that the awards need maximum credibility. The MENA Cristal Awards, perhaps with the Méribel Ad Festival because they share the same concept, are the most credible in the world. First of all, the people are voting electronically. Secondly, there is a mixed jury of clients and agencies, so the clients do not have the same targets as the agencies concerning the outcome of the awards. The agencies are coming from all over the world, they vote by secret ballot for the winners of each competition. That’s the reason why I think it is so credible; no one knows exactly who is winning and that is the most important thing because the market needs credibility. In the same way, people need to analyze their work to promote rankings across the industry. It is the reason why we push the Gunn Report here, which is the worldwide ranking of the best ads in the world.

 “Celebrating Innovation and Young Talent” was the slogan of this year’s forth-annual MENA Cristal Award ceremony. A mix of advertising agencies, clients, producers, directors, media, survey companies and TV producers came together to celebrate and reward the region’s best advertising creations. Inspired by the Méribel Ad Festival in France, the event was held in Lebanon for the third consecutive year — the first having been held in Morocco. Event participates took advantage of the unique Mzaar Faraya Ski Resort venue from January 26 to January 29 by hitting the slopes and après ski scene, in addition to the festival. Many conferences, cocktails, lunches and dinner parties were also held in conjunction with the event.

Many key international figures and more than 400 professionals representing 20 countries attended the festivities. Cecilia Attias, the president of the Cecilia Attias Foundation for Women and former first lady of France, received an award of honor for her foundation. Osman Sultan, the CEO of du, received the Media Businessman of the Year award. 

The MENA Cristal Awards reward the region’s best creativity with its famous Cristal prize, within different media categories — television, press, magazine, Internet and others. The jury, headed by Milka Pogliani, chairperson and executive creative director EMEA of MC Cann Worldgroup in Italy, consists of creative managers, agency managers and advertisers who vote by secret ballot. In Mzaar Faraya, Executive had the chance to glean insights from several industry leaders regarding the festival, the advertising  industry and the current challenges that the industry is facing due to the global economic downturn.