• Donate
  • Our Purpose
  • Contact Us
Executive Magazine
  • ISSUES
    • Current Issue
    • Past issues
  • BUSINESS
  • ECONOMICS & POLICY
  • OPINION
  • SPECIAL REPORTS
  • EXECUTIVE TALKS
  • MOVEMENTS
    • Change the image
    • Cannes lions
    • Transparency & accountability
    • ECONOMIC ROADMAP
    • Say No to Corruption
    • The Lebanon media development initiative
    • LPSN Policy Asks
    • Advocating the preservation of deposits
  • JOIN US
    • Join our movement
    • Attend our events
    • Receive updates
    • Connect with us
  • DONATE
Celebrating 200 issuesSpecial Report

The business team: a question of balance

by Thomas Schellen March 21, 2016
written by Thomas Schellen

According to centuries-old journalistic orthodoxy, writers and editors live on one side of an impenetrable barrier while advertising sales and marketing staff live on the other. Hungarian-American media figure Joseph Pulitzer – the namesake of the world’s best-known prize for journalism – is credited with saying that commercial success is good for a newspaper’s “moral side” and therefore has “a legitimate place” in a media organization’s business office.

But he is cited even more famously as godfather of a media dogma which declares that professional journalism requires the strictest separation of commercial and editorial. “Commercialism, which is proper and necessary in the business office, becomes a degradation and a danger when it invades the editorial rooms,” Pulitzer wrote more than 90 years ago.

A credo of professional journalism was at the essence of Executive magazine’s market approach from the first issues. Thus, when Yasser Akkaoui acquired a share in the publishing company and assumed managerial responsibility at the magazine in spring of 2001, this approach had already caused a disruption to the habitual local complicity between advertisers and media. “The team had already shocked the market and created ‘bad communication’ because we were the only magazine doing investigative journalism while other publications were in the game of glorifying their advertisers,” remembers the man informally known as Yasser.

Until today, Executive has not shied away from ruffling corporate and official feathers while at the same time exerting every diligence in our power to be non-partisan and factual in our criticisms. Even when trumpeting causes in advocacy pieces we strive to be anti-sensationalist and respectful of the status quos we aim to change. Underlying this approach is a philosophical belief that a country:

a) needs to have an equitable and profit-generating, private sector-led economy in order to provide its residents with a great framework for building satisfying lives;

b) that the public and private economic players need to be alerted to the presence of flaws and weaknesses that befall even the best organizations; and

c) that it is the job of economic media to investigate and point out flaws, dangers and risks, just as much as it is our job to identify and push trends, visions and opportunities.    

The critical and advocacy varieties of journalism are not easy to sell to advertisers. However, the persistent work of Executive’s business team and in-house advertising sales force of three allowed the publication to rise from a monthly count of very few (and often bartered) ad pages in the first two years of publication to today being at the top of every media plan in its market segment. Graziella Nassar Aouad, head of Executive’s marketing team from 1999 until January 2016 (see Letter to Gracy), recalls how, in her first years on the job, most ads in the segment of English-language business publications would be gobbled up by competitor Lebanon Opportunities. “This did not deter us. We tried for several months but it was not easy to convince people who were used to dealing with the other publication,” she says. 

[pullquote]“We were the only magazine that decided that we wanted to engage industry players in tackling the country’s challenges and calling   for change”[/pullquote]

According to Gracy, as she is known throughout the Lebanese marketing communications sector, a handful of advertising industry leaders were spearheads in encouraging the Executive team, including people like Nada Daccache, Fouad Sabbagh, Hala Badran, Randa Tabet and Dany Richa. “They really helped us make things happen and also helped us get to clients,” she says.

It took long hours of work and the offering of some free advertisements to get the deal flow going, but she and her team succeeded in building relationships with the first clients, such as automotive dealers that are still with Executive today. “In general, the old clients who started working with us never stopped. Some companies have reduced their budgets in the current market, which is weak. But we are still getting ads to this day and are on top of the media plans,” Gracy says.

In the early 2000s Executive developed a strategy of seeking to motivate advertising clients, as it did with all members of the Lebanese business community, to subscribe to the cause of Executive rather than seeing it as just another media outlet to reach customers. “We were the only magazine that decided that we wanted to engage industry players in tackling the country’s challenges and calling for change. Our commercial team was an integral part of reaching out to corporate Lebanon and communicating how we wanted corporate Lebanon to be perceived,” Yasser tells Executive. 

As it gave them an opportunity to appear as authoritative stakeholders in the Lebanese economy, companies appreciated Executive management’s concept of engaging them in conversations on the issues facing Lebanon. For editors and journalists, the concept often enough supplied material for very lively debates with the editor-in-chief – and perhaps this or that resignation – but at the end of the day, interference in writers’ freedom to cover stories was far less than one experienced at other publications in Lebanon and indeed, most countries between the Arabian Gulf and the Gulf of Sirte.

Editorial beauty and the commercial beast – time to challenge a perception

Given that Executive editors take their independence from commercial or political influences very seriously, and prefer to draw the ire of an advertiser by describing things how we perceive them rather than telling the story in the way the commercial client would like it told, it is no wonder that the business office on one side of the building and the editorial space on the other side have remained very different environments throughout the publication’s history.   

However, under issue 200’s double priority of acknowledgement and appreciation, it was a must to investigate the role of the business department. The first striking difference between the business team and editorial is the turnover rate. In editorial, long-term presences are the exception. Writers and editors tend to change with a frequency and sometimes abruptness that could be frightening. In the business department, on the other hand, the majority of team members have an employment record of more than ten years with Executive. In handling all practical aspects of distribution and communication with external stakeholders, these long-term team members represent the stability and reliability that is essential for keeping the magazine going.

As the core of the business department, the advertising sales team was not only important for financial sustainability but also for the whole enterprise’s internal coherence. “When you work with foreign editors and journalists, they may be here for a year or two. This is inevitable, but such constant change hurts the magazine. Sometimes the foreigners don’t understand the market. This can be a challenge because it is important for the client to feel that a journalist who interviews them has a solid background of local knowledge and is aware of everything that is happening in the country,” Gracy explains.

[pullquote]As the core of the business department, the advertising sales team was not only important for financial sustainability but also for the whole enterprise’s internal coherence[/pullquote]

Although not desirable from an editorial point of view, the advertising team is sometimes a lightning rod for clients who, despite all efforts by the magazine’s journalists, do not share the view that critical coverage is intended to improve the quality of business for all. “Clients always want Executive to talk about them as growing companies and companies where everything is going well,” explains Karine Ayoub Mattar, Gracy’s successor as head of marketing alongside Michelle Hobeika.

Having worked with the magazine since 2003, she says that clients have grown accustomed to the magazine’s style but are still not super enthusiastic about the investigative and analytical bent. “When you don’t glorify them, they prefer not to talk. If they have any issue, clients call us at the marketing department and not the journalists. This is normal because we are the people that communicate with them on a regular basis,” she says.   

The relationship of editors and advertising sales teams in news media can in many ways, even today, still be described as the fairytale tie-up of beauty and the beast. However, as is so often the reality in a matching of complementary opposites, it is not quite as clear who is beauty and who beast when one looks a little deeper into the identity of each. As paradigms of publishing are moving into very different waters from 100 years ago, the ethical interaction of business and editorial objectives by all indicators can no longer be run under the pretense of an impenetrable wall of separation but will have to understand each other’s perspectives in order to find viable ways to develop even greater editorial authenticity. And they must do this while also finding ethical models of commercial communication with today’s readers who are highly literate of the cultural and commercial environments that characterize the digital age. 

A version of this article appeared in the March print issue of Executive, Noº 200.

March 21, 2016 0 comments
0 FacebookTwitterPinterestEmail
Tourism and Hospitality

The Upscale Experience

by Nabila Rahhal March 21, 2016
written by Nabila Rahhal

It seems Lebanese restaurateurs will be forever enamored with downtown Beirut, despite the roller coaster ride the area has put them through. It all started in the 1950s when the Burj area was buzzing with fashionable people and restaurants, only to be destroyed by the Civil War. Following the reconstruction of Downtown in the early 2000s, this love affair was rekindled with the cluster of restaurants in Nejmeh Square which again ultimately shut down. Restaurant operators continued to move from one street to another in Downtown, including Uruguay Street and Zaitunay Bay, with the latest restaurants to hit the area of Minet El Hosn, next to Starco’s lower entrance and in between Phoenicia and Beirut Souks.

That location, which had been languishing with little footfall or activity, now welcomes swanky Lebanese who like to see and be seen in any one of these restaurant’s terraces or through their wide glass walls.

A brief history

The first restaurant to open its doors in Minet El Hosn was Anthony Nahas’s Balthus, which welcomed its first guests in 2001. Frida Nahas, Anthony’s mother and the restaurant’s co-manager, recalls that she discouraged her son from opening in this location, pointing out the almost total lack of pedestrian footfall or even neighboring businesses at the time. Anthony’s reply was, she recounts, that he didn’t want a restaurant that attracted walk-ins and instead sought an establishment that would be a destination in itself for clients who had drivers and cars.

While Nahas’ vision was realized through Balthus’ top notch clientele, Minet El Hosn as a food and beverage (F&B) destination did not really pick up until 2010 when L’Avenue Du Parc, a French restaurant, and the Japanese cuisine restaurant Kampai opened.

According to Henry Farah, CEO of Kampcatering (which manages Kampai, the Italian restaurant Gavi and seafood restaurant Blue Port in Zaitunay Bay), the company’s partners found Minet El Hosn interesting due to the growing number of banks and high-end office buildings, some of which were developed by the individual partners themselves, such as the Palladium Building which houses Kampai, Gavi and Cocteau.

Some of the individual partners of Kampcatering are also stakeholders in other restaurants in the area such as Cocteau and L’Avenue Du Parc. “Many of the buildings in the premises belong to them so they introduced these restaurants to the area and in this way brought footfall here. This is how it grew as a destination,” elaborates Farah.

Owners of the Palladium building grouped together to open Kampai on its premises (Greg Demarque | Executive)

[/media-credit] Owners of the Palladium building grouped together to open Kampai on its premises

The power of economics of proximity

In true economics of proximity fashion, the success of these three restaurants (Kampai, L’Avenue Du Parc and Balthus) encouraged further similar investments in the area. The current total of restaurants in Minet El Hosn is nine, with three more under development, including Em Sherif, a Lebanese restaurant, and a project by the Boubess Group, which will be the group’s third investment in the area.

Ramzi Adada, general manager of Yabani, a Japanese restaurant which had been in operation in Monot since 2001 before its relocation to Minet El Hosn a year and a half ago, predicts further growth for the area, arguing that it has the right criteria for an upscale dining destination such as wide and generally not busy roads, ease of parking right in front of the venue and the presence of high end office buildings and residential units.

The merits of competition 

Speaking for La Petite Maison, which relocated to the M1 Building facing Kampai late this February, General Manager Yannick Chaloyard says the presence of similar upscale restaurants was one of the factors behind their choice of location. “We are surrounded by all those restaurants and this creates a buzz. Downtown has become a foodie destination because you have a lot of different styles [to choose from], from Italian to Asian to French to a steak house. This way, people will think of Downtown when it comes to good food, as opposed to seeing it as only for business or shopping,” Chaloyard explains.

Nahas also agrees that neighboring restaurants have helped increase footfall to Balthus. “This competition is good because I got a lot of clients who came intending to try the neighboring restaurants and ended up discovering us,” she enthuses.

Yabani first opened its doors on Monot Street before joining the growth of high-end restaurants in Minet El Hosn

[/media-credit] Yabani first opened its doors on Monot Street before joining the growth of high-end restaurants in Minet El Hosn

What’s in the rent?

Rent prices in Downtown are known to be high. Farah says rental prices in Minet El Hosn are between $70 to $100 per square meter annually, which brings total rental cost to around $300,000 per year minus common building expenses and taxes, a figure which Nahas confirms.

As Adada explains, the high rents almost necessitate that restaurants in the area be on the expensive side. “It is an upscale area with upscale real estate in the form of residential and commercial buildings and thus higher rent for all these restaurants. Automatically there is less of a market for lower price restaurants here.” He also argues that another reason this area would be of little interest to individual snack shops or diners is that such concepts prefer to be in a busy, high traffic area, which is not the case for Minet El Hosn.

Indeed, the average bill at these establishments ranges from $54 to $100 per person without drinks. In some cases, money seems to be of no consideration to patrons, with Nahas insisting her clients appreciate the quality of the food and service at Balthus and don’t mind forking out for the admittedly high bill. “I’ve been running this place for 15 years: I feel it’s my home, not a restaurant, and this is how I run it. My clients may be few but I know them all; they come here for a good meal and exceptional service,” she says.

Other restaurant managers, such as Adada or Farah, believe their pricing is reasonable when the quality of food and location are taken into consideration and compared to other sushi restaurants of their caliber. “We define it as an upscale casual restaurant; upscale in terms of quality of food, service and location. But if you compare it to other similar sushi restaurants in Lebanon, we are reasonably priced. Although there is a perception in Lebanon that all restaurants in Solidere are overly priced, it is not necessarily the case,” argues Farah.

Who? When? Where?

During lunch hour, restaurants in Minet El Hosn whom Executive spoke to say that their venues attract mainly business people from the neighboring office buildings, as well as socialites who are attracted by the glamour of the area.

With the exception of Balthus, where Nahas says that lunch is their most patroned time, the restaurants in the neighborhood say they get more footfall at night, mostly in the form of couples and groups of friends. “All the restaurants in the area are twice as busy at night than during the day, since more people go out for dinner,” says Adada. 

Farah also says their restaurants are busier at night, explaining that while the lunchtime crowd is mainly generated by the neighboring businesses and divided among the restaurants in the area, the evening pool of customers is larger, with people coming from across Beirut to dine in Minet El Hosn.

Although some restaurants in Minet El Hosn are busy seven days a week, others cite the weekend as their busiest time, just as it is for most of Lebanon’s restaurants. Adada says that Yabani sees a lot of families during weekend lunches and early evenings, while Nahas says Balthus is less busy on weekends as her clientele tend to be out of Beirut.

The general consensus among those interviewed is that the restaurants in the area tend to attract customers aged 30 and above. Comparing it to the crowd that was frequenting Downtown’s upscale establishments when they first opened Kampai, Farah says: “We are able to attract a different type of clientele than the older luxury dining crowd that Solidere used to attract; we attract a relatively younger age group.”

Top hospitality destinations in Minet el Hosn

[/media-credit] Top hospitality destinations in Minet el Hosn

Always a grey cloud

As with any F&B destination, there are challenges facing Minet El Hosn’s restaurants. “A challenge is securing clients because when the rents are so high and you have such a high annual expense, you need a lot of volume and in Lebanon we have not been witnessing as high a number of tourists. We are relying on local clientele,” says Farah.

Nahas also stresses the importance of tourism to sustaining volume and keeping all the restaurants in the area busy. “Give us peace and tourists and we don’t need anything else,” she says.

Despite these obstacles, it seems that Lebanon’s crème de la crème have decided that Minet El Hosn is the “it” location for upscale dining at the moment. This could spell a bright future for the area or it could go the way of other once popular dining streets in Downtown. Only time will tell…

March 21, 2016 1 comment
0 FacebookTwitterPinterestEmail
Celebrating 200 issuesSpecial Report

On the road to Oz

by Matt Nash March 18, 2016
written by Matt Nash

Anniversaries are about celebration but they should also be a time for reflection on the good, the bad and the ugly. This issue is filled with the good, including deserved tributes and acknowledgment of the work that Executive has done and continues to do. The bad and ugly, however, have been our approach to the internet. Analyzing our own digital experiences is a necessity, even if only to understand where we went wrong. We’ve had a website since 2004, but at first we viewed it more as an extension of the magazine than a platform deserving of its own care and attention. Issues went online all at once, the site got a monthly facelift with new content, and there was even a drop-down menu allowing readers to choose which issue they wanted to peruse. The drawback, of course, was that if you didn’t know in which issue we covered a certain topic, chances were you were never going to find it.

We knew this was a problem, but fixing it proved no easy task. Twice in 10 years, we redesigned the site. Our lack of in-house resources meant we could either pile an inhumane amount of work on our one qualified employee or farm the project out. Farm we did, but the results were less than ideal. The re-designed site went live in September 2012, much later than promised. By mid-2013, we realized that our site’s 2011 design already looked old and was far too heavy to easily load in Lebanon’s internet environment (download speeds, remember, were actually a bit slower back then).

[pullquote]Our goal in moving online was – and remains – finding more readers who appreciate our content[/pullquote]

Sitting together over a cup of coffee, the editorial team drew up – literally on the back of a napkin – ways to re-work our website in-house. We were so impressed with the new capabilities of inexpensive digital solutions that hit the markets around that time that we even toyed with the idea of reversing our publication philosophy by going online first (meaning our print magazine would be a “best of” compilation of stories we’d written and published during a given month).

It didn’t take long, however, before we ran into not just one but several barriers on the road to being digitally savvy. The first problem related to talent. Producing Grade A content is what we are committed to doing, and we refused to compromise on that. While we had a talented team who gave their all, it was a small team. Writing quality stories, editing them and publishing them on two platforms (print and online) was more than we could handle, not to mention the fact that proper digital content management itself needs a dedicated team, not two people who are multi-tasking at all times to keep up with their other responsibilities. Going online first would have meant either writing very short articles or having a team of writers in the double digits, as the in-depth reporting and analysis we offer takes weeks of research and writing to produce. Our goal in moving online was – and remains – finding more readers who appreciate our content, not changing our content to match Twitter trends in a cheap effort to increase traffic to our site.

We know that our future is online or bust. A perfect example of why we need to do digital, and do it right, is our wealth of content. We have an archive stretching back over 15 years. It’s a chronicle of this country’s development, a first draft of Lebanon’s recent history to borrow the second most famous cliche about journalism (the first being its practitioners are all drunks). We should be monetizing our archives. But we also need to be prudent. Recent history offers several examples of assumed sure-fire digital concepts that blew up in the faces of those who tried them – see the 2000 America Online-Time Warner merger or the 2011 iPad-only newspaper The Daily which folded after less than two years but cost an estimated $50 million. With our own small taste of failure on a seemingly simple website project between 2011 and 2013, we’re being cautious with our human and financial investments into online going forward. But we are moving forward.

March 18, 2016 0 comments
0 FacebookTwitterPinterestEmail
AdvertisingSpecial Report

Not for sale

by Nabila Rahhal March 18, 2016
written by Nabila Rahhal

They’re everywhere. Whether on the side column of that article you’re reading on your phone screen, on the billboards surrounding you on your morning commute or blaring out of your radios and TV screens. Advertisements are simply unavoidable.

These promotional messages often fade into the background, save for the memorable ones with a creatively delivered message. If we take a closer look at them, however, they reveal a lot about a country’s cultural and societal norms, and a lot about the evolution of the role and views of women in society.

Sex sells. Or does it?

Whether in a cleavage baring top and a sensual pout while clutching a men’s deodorant tube in her manicured hand, or seductively posing naked next to a car with only bits of paper to cover censorable parts, women’s bodies have long been exploited as marketing tools to entice male consumers into buying products that have nothing to do with these women’s bodies.

One of the earliest usages of sexual imagery to sell products dates back to 1885 when some United States tobacco companies inserted trading cards of sexually provocative women into cigarette packs. This advertising technique only grew in its frequency and boldness as advertisers attempted to continuously up the “shock factor” in an attempt to grab consumers’ attention.

Lebanese advertising agencies are no strangers to using erotic visuals in their creations, with one example being an ad promoting a cable company that projected logos of TV channels onto a woman’s cleavage. Another one, by a bags and accessories boutique, showed a woman with a bag over her head being strangled by a man. This ad unsurprisingly caused a considerable uproar and backlash when it first aired a few years ago.

Regional Luxury Director (MENA) of Mindshare, Ghada Hmedeh, recalls that when she returned to Lebanon from Dubai five years ago she was initially shocked at the way advertisements were using women. But, she says this is “happening everywhere and temptation is used as part of [the] ad.”

It seems this usage of sexual imagery in advertising is hard to shake off. Jihane Nasrallah, founder of Inhouse Communications Agency, believes “sex always sells and stopping that is unlikely.” She explains that media is a reflection of society and that advertisers’ primary role is to reach the consumers in their culture: “We are living in a male[-dominated] society and we have to talk to our consumers. So we have to talk their language to be able to sell, tell a story of a brand and build the long-term [brand loyalty], and that is why we do tailor-made communication for each market.”

[pullquote]Research showed that, while customers remembered the sexy images clearly, they had actually forgotten the brand behind the ads[/pullquote]

However, recently this age-old adage of “sex sells”, so coveted in the advertising world, has fallen under scrutiny and it seems not everyone subscribes to it anymore. Research undertaken by Ohio State University indicates that although sexual images in advertisements attract consumers’ attention, they may actually distract them from the commercial’s main message. The research shows that, while consumers remembered the sexy images clearly, they had actually forgotten the brand behind the advertisements.

Some corporations have taken note of these studies. Nada Abi Saleh, managing director at Leo Burnett, says that big brands have almost stopped relying on sensual images of women in their advertisements since it is an outdated technique which only appeals to baser instincts “creating a very superficial link between brands and their customers.”

The dutiful housewife and the pretty woman 

On the other end of the spectrum is the equally stereotypical image of the woman as a homemaker whose only goal is the happiness of her family, or the idea of a woman as someone who is solely preoccupied with her appearance, wanting to maintain a younger look to be accepted by society.

Commercials depicting a woman proudly discussing the superior quality of her laundry and thanking a certain detergent brand, or ones that show a woman beaming with pride as her husband compliments the meal she has been preparing all day, are common and reflect the value that cultural norms place on the role of the woman as wife and homemaker.

[pullquote]Countless studies have shown that such ads are damaging to young women’s self-esteem, often leading to disorders such as anorexia and bulimia, depression and even suicide[/pullquote]

Also common are the countless ads for skincare or beauty products which show an often digitally altered  woman with perfect skin and hair describing how a certain brand is not only responsible for her perfect appearance but has also in fact changed her life by making her look so attractive and young.

The effects of an ad

Not only are such commercials often completely lacking in creativity and taste, but they also place a lot of pressure on women to conform to these unrealistic standards that society places on them. Countless studies have shown that such ads are damaging to young women’s self-esteem, often leading to disorders such as anorexia or bulimia, depression and even suicide in extreme cases.

In Lebanon, we are exposed to a wide range of advertisements and, in turn, ways of objectifying women. Women are bombarded with advertisements depicting seemingly opposing messages; on the one hand they should aspire to be beautiful sex symbols who entice men with their promiscuous physical appearance, while on the other hand they are encouraged to be the doting, dutiful and reserved housewife.

Light at the end of the tunnel

The last 10 years have seen a significant increase in voices speaking out against advertisements that are deemed sexist. More and more women are challenging these stereotypes by engaging in activities that were traditionally considered ‘male’ and by pushing back against gendered tropes.

Since advertisements reflect culture, we are seeing more advertisements reflecting women’s strengths and encouraging them to be themselves, no matter who that is. Advertisements which celebrate natural beauty are becoming more prominent and celebrated. Just look at the Dove campaigns which started in 2005, showing real women, not airbrushed models, who are comfortable with how they look. Or even the more recent MINI Cooper “Defy Labels” campaign featuring Serena Williams, which simultaneously challenge stereotypes about women (Williams is a world-renowned tennis champion) and the MINI brand. In Lebanon, an increasing number of advertisements are portraying women in professional roles, in particular ones publicizing bank loans for Small and Medium Enterprises (SMEs). By having women at the forefront of such ads, these companies and banks are simultaneously promoting the growing number of women entrepreneurs in this country and therefore the image of women as independent, creative and innovative.

The Lebanese scene

The worsening economic and social situation in Lebanon over the past few years has shifted the public’s attention, and in turn the advertising world’s focus, in a direction which is not centered on stereotyping women but rather on the issues facing our society. “I noticed that advertising in Lebanon changed a bit to reflect more local problems, such as the political situation. In the last two to three years people are worried with so many other lifestyle things that should be secured for them and these concerns are reflected in media messaging,” says Hmedeh.

[pullquote]Lebanon has seen an increase of women in top management roles within the advertising domain[/pullquote]

As such, you see advertisements in Lebanon which play on the names of political parties to sell their products or ones which focus on nostalgic elements to remind people of perceived better times. There is also an increase in civic society commercials, some of which stand up for women by raising awareness on issues of domestic violence, such as the KAFA campaigns which have gone viral on social media networks.

Change is coming

While recent years have seen improvements in the depiction of women in advertisements, more consistent monitoring is needed to keep the issue in focus. What is also needed is more active involvement of women in media in general.

While media is a reflection of society, it can, and should, also be used as a vehicle for change, and with more women in leadership roles in advertising, this can be achieved. According to a 2002 United Nations report: “No longer is the media just considered a mirror of the society and its events. Its effect has expanded and is influencing the way people are arranging their priorities and interests. In fact, it is influencing how people formulate their knowledge, attitudes, stands and practices. Shifting the portrayal of women in a more positive and realistic manner could be accomplished by the influence and efforts of women working within the media.”

Lebanon has seen an increase of women in top management roles within the advertising domain.  Hmedeh says 70 percent of Mindshare’s employees are women, with many of these women in decision making roles and although she stresses that this is not the case for all media buying companies in Lebanon, she believes the share of female senior managers in agencies based in Beirut has definitely increased over the past 10 years.

In line with Hmedeh, Leo Burnett’s Abi Saleh says: “In the advertising and communications industry in the Middle East, you definitely see more women at the top than in other industries.”

This increase in the number of women working in advertising in the region and in Lebanon is a positive indication that sexist advertisements will continue to be replaced with more thought-provoking and creative ones that actually grab the consumer’s attention: a win-win situation for all.

March 18, 2016 1 comment
0 FacebookTwitterPinterestEmail
Celebrating 200 issuesSpecial Report

Intelligent designs

by Matt Nash March 17, 2016
written by Matt Nash

Regular readers of the magazine will notice something’s different. Cleaner. Crisper. We’ve tweaked our layout, and matte paper is back for the first time since 2004. It’s a slightly new look, but we’re keeping some basic elements that define our identity. We’re a business publication. And a serious one. We write three-course meals, not light snacks. That means text. And lots of it.

“It’s easier,” Executive’s design guru Tanya Salem says of moving mountains of words around. “But I don’t like it.” Salem’s creative expression is limited to finding dignified ways to “break up the text to be easier to read,” she adds.

That’s not to say there’s no fun to be had. If page layout is our identity, covers are that identity dressed up to make the best impression. And who doesn’t love picking out clothes? Covers have static elements, and we’ve tinkered a bit, making our logo smaller and sliding it up into the left-hand corner of the page, for example. The change is not merely aesthetic. We’re freeing up real estate for the most important cover element: our message.

While people were common cover art in 1999 and 2001, we’ve never had a hard rule on what covers should look like. Rather, the results of whatever investigation we’ve undertaken that month drive our cover design choices. “What are we trying to say?” is how nearly every cover design meeting begins. Once the message is chosen, there are no restraints on the ways to represent it. We’ve done plain text. We’ve staged photos, such as when we put a colleague in a gas mask for our August 2002 cover story on environmental damage. We’ve used illustrations. We’ve used stellar work from our talented in-house photographers. We’ve even left the cover blank in a poorly organized and executed effort to encourage readers to draw their own covers. If you’re a fan of our past work, be reassured there’s plenty more to come on the design front.

Re-design is part of Executive’s visual evolution. This isn’t the first and won’t be the last. Our mission, however, remains the same.

March 17, 2016 0 comments
0 FacebookTwitterPinterestEmail
AdvertisingSpecial Report

Seeking scale in difficult times

by Thomas Schellen March 17, 2016
written by Thomas Schellen

The times are not easy, concede advertising industry members Jihane Nasrallah and Hani Haddad. But whereas growth in the Lebanese advertising market has been elusive for about three years, and while Haddad’s agency had a rare year of seeing turnover drop in 2015, the two are joining forces in a merger. The merger process formally commenced last month with the relocation of Nasrallah’s agency, Inhouse Communications, into the offices of Haddad’s Spirit.

The integration of the two businesses is currently in phase one, entailing evaluation of the team and new human capital needs. There were some redundancies or departures of staff members who did not see themselves fitting into the new organization, but, according to Haddad, these represented a small portion of the new combined team of 35 individuals. “There was some [employee] turnover but we are also recruiting and will have some vacancies that need to be filled as we are restructuring,” he says.

A common vision

A key element in their corporate plan is to use economies of scale for improved profitability and stronger positioning in regional markets. “The interesting part of the merger is not turnover but profit,” Nasrallah explains. Efficiency gains from joining their forces entail lower office costs and reduction of overheads, she adds.

The owners of 11-year-old Spirit and six-year-old Inhouse Communications say they share a history of collaboration going back almost 10 years when Haddad interacted with Nasrallah as a client of his marketing services. Discussions on joining forces evolved in 2015 at a time when Nasrallah was a nominee for an entrepreneurship woman of the year award and received coaching on ways to grow her business by regional expansion or merger.

[pullquote]Both agree that having the right chemistry is crucial for a successful business partnership[/pullquote]

The newly minted business partners tell Executive that they share the same vision of running an advertising business. Each of the two firms has been operating as an independent agency offering the full range of media planning, public relations and advertising services. As a merged entity, they will operate on the basis of the very same formula. “Both of us were working the same way, which is different from the market, and have the same vision, which is being a full-service agency. We are focused on proximity to local clients,” Nasrallah says.

Merging two local advertising companies into a larger independent agency is an alternative path to the advertising industry’s prevalent business development route, which is alignment with regional groups and, ultimately, with one of the multinational conglomerates. As shown by numerous cases in the recent and not-so-recent past, local Lebanese agencies using the latter route have found their final homes as fully-owned and controlled units of global marketing powerhouses.   

For Haddad, who started his career in the advertising and marketing communications industry more than 20 years ago, aligning his first agency with a multinational group back in 2000 was a disappointment and he reversed out of the relationship by setting up Spirit in 2004. Given that advertising talent moves easily from local agencies to multinational ones and vice versa, he says the difference is not in human capital but in the rigid corporate cultures and bylaws of the multinational organizations by which they oblige local clients to commit to a certain way of doing things. An independent agency can be more flexible in responding to client needs. “This is added value and this is what clients are telling us when they say they are comfortable working with us,” Haddad claims.   

According to him, the addressable market for independent agencies is getting larger because more Lebanese companies are expanding abroad. By Haddad’s own assessment, Spirit is the largest independent agency based in the country. He declines to say how much Nasrallah and he are expecting from the merger in terms of margin improvements but admits that growth of profitability should be double digit. 

Moving forward

The only number he is willing to disclose is also by self-assessment. Following the merger, Spirit is now a $30 million company when all assets and the Dubai office that serves Gulf clients are taken into account, he says.

[pullquote]A key element in their corporate plan is to use economies of scale for improved profitability and stronger positioning in regional markets[/pullquote]

The company will invest into capacity building, job training and business development, including travel, to explore and develop new markets in the region, but budgets have not been finalized. “We have drafted a plan but we are still testing it as we are now in phase one of the merger,” Nasrallah says.

The merger was done by exchange of ownership shares and did not involve a capital increase. Haddad refuses to say how the ownership stakes are now distributed. However, his position of chairman and chief executive of the company, and Nasrallah’s position as managing director of new business give an indication. According to Haddad, Spirit operated in the past with a perfunctory board and is now advancing to a three-member board as the strategic decision platform. Board members are Haddad, Nasrallah, and Spirit’s Regional Creative Director Maya Saab, who are all shareholders in the company.

Both agree that having the right chemistry is crucial for a successful business partnership. While sharing the same basic approach to the business is essential, “there should always be areas where one complements the other,” Haddad opines and Nasrallah notes, “That is why we are now putting proper structures in place and defining responsibilities.” She adds that the merger of cultures between the two organizations still has a lot of ground to cover, saying half jokingly, “I am realizing this today from your interview. I moved [into the Spirit office] three or four days ago, so we are still in the honeymoon phase.”

March 17, 2016 0 comments
0 FacebookTwitterPinterestEmail
Celebrating 200 issuesSpecial Report

“The new Arab World”

by Spencer Osberg March 16, 2016
written by Spencer Osberg

“There is no going back,” began the cover story for Executive’s March 2011 issue. “Recent months have severed the future from past precedent and brought about a fundamental shift in the Arab paradigm.”

When we published those words, uprisings had just begun to sweep country after country across the Arab World. In response, global media outlets rushed in to broadcast “the story” to the masses around the planet – but that was never our game. From our seventh floor office near Beirut’s Adlieh roundabout, we produced coverage for the discerning reader. Our lens on the upheaval was economic. Our analysis followed the money and within our niche we were unrivaled.

For the March 2011 magazine, issue #140, we interviewed an economist at the University of Tunis El Manar, who told us that Tunisian youth – who were again marching in the streets after having driven President Zine el-Abidine Ben Ali into exile just a month and a half before – would have to wait years for the inequities they rose up against to be righted.

Libya was then newly divided between the country’s east, which a rag-tag rebel movement had newly liberated, and a west where Colonel Muammar Qaddafi still held sway. Global oil prices had surged past $100 per barrel as a result and our editorial team brought to the fore how the Libyan government’s fortune – tallying in the hundreds of billions of dollars and stashed in investments in more than 130 countries around the world – would be up for grabs if Qaddafi’s 42-year-reign were brought down.

As for Egypt, we reported on how regional banks were shrugging off the potential for short-term loan defaults post-revolution in anticipation of the massive financing needs the new government would have, while Egyptians – who our team had been with in Tahrir Square when millions demonstrated to end the 30-year dictatorship of Hosni Mubarak – were debating the future of their country and feverishly building new political parties to elect into the parliament.

In Morocco, Algeria, Jordan, Iraq, Bahrain, Yemen and Oman, the people had taken to the streets and squares of cities and towns, demanding just governance and a new social contract. Yet, even as the Arab world seemed alight from end-to-end when Executive hit Lebanese newsstands March 1, just a two-and-a-half hour drive away in Damascus, calm prevailed. Syria was different. The regime’s power seemed absolute. An uprising there was impossible. Until it happened.

A Damascene shopkeeper – speaking to our reporter who went in the next month to covertly cover the unrest – made it a point to remind us that Syria was still different.

“They will kill millions to hold onto power. Millions,” he said. “This is not Egypt.”

We documented how the rural areas in Syria that first rose up were the same ones that had been the worst affected by the government’s repeal of farm subsidies, or where small-scale artisans had been driven out of business en masse by trade liberalization with Turkey. As protests against the regime of President Bashar al-Assad spread across the country we followed how the economy retreated, unemployment surged and the Syrian Central Bank began burning through its foreign currency reserves to prop up the sinking Syrian pound.

[pullquote]Our lens on the upheaval was economic. Our analysis followed the money and within our niche we were unrivaled[/pullquote]

The more viciously and violently the regime tried to quash the peaceful protest movement, the bigger the demonstrations became. Within months media around the world began to speculate about the imminent collapse of the regime. But it withstood, and as the opposition tired of being butchered in the streets, at Executive we traced the rising price of weapons on Lebanon’s black market, fueled by groups in Syria who were rallying to arms.

In contrast to Libya – where western countries quickly secured a United Nations Security Council resolution for a “no-fly zone” and then bombed Qaddafi’s ground forces to make way for a rebel advance – the West “has generally limited its stance to the unrest in Syria with repeated calls for Assad to reform or face losing his legitimacy,” one of our comment writers noted in Executive’s August 2011 issue. “We don’t want to go for the option of an armed struggle against the regime,” the same writer quoted a Syrian activist as saying in our October 2011 issue, “but if the international community does not step in, we are afraid that it will lead to civil war.”

Five years later I look back at the words we published in March 2011, and they now echo hauntingly: “What was the status quo is now dead, trampled beneath the feet of millions marching through the streets. And while it is yet far from certain that freedom and democracy await them at the end of this road, what is assured is that where they are going is radically different from the place they left. Welcome to the new Arab World.”

Spencer Osberg was editor of Executive from 2009 to 2013

March 16, 2016 0 comments
0 FacebookTwitterPinterestEmail
AdvertisingSpecial Report

Activating the creative gene

by Thomas Schellen March 16, 2016
written by Thomas Schellen

Early in 2016 was once again the perfect moment for a comparison check on the strength of the Lebanese advertising market: the Super Bowl. As the primary sports spectacle in the United States was celebrated on February 7 with national pride (anthem sung by Lady Gaga), superbly choreographed spectacle (halftime show with Coldplay, Bruno Mars and Beyonce) and inevitable circumstance of glorious competition (throwing, running and catching of a ball by the country’s most talented sportsmen in this specialty endeavor), it would have been a fantastic chance to promote Lebanese exports to over 110 million US viewers with a creative commercial.

Super Bowl advertising spots are the real-life Olympics of marketing, far beyond the live TV audience; they are watched, evaluated, talked about and shared online by millions, long after game day. Talk about quick and viral? More like the grail of engagement. And it was not only local beer and foreign car makers that entertained with commercials during Super Bowl 50. Mexican avocado exporters advertised this year (again) and got global attention for their produce. Judging from their commercials and those of the competition, Lebanese agencies would certainly have the creative potential to produce a spot that could compete in the Super Bowl.

However, here is where the dichotomy shows: a spot in the event sets the advertiser back by about $5 million – per 30 seconds. According to industry publication Advertising Age, the 2016 Super Bowl ad sales revenue amounted to an estimated $377 million, a new record in a long line of rising marketing investments at the event. The total advertising investments in the Lebanese market in 2015, $190 million by the most optimistic assessments, consequently would hardly be enough to book the spots in the Super Bowl’s first half.

[pullquote]Judging from their commercials…Lebanese agencies would certainly have the creative potential to produce a spot that could compete in the Super Bowl[/pullquote]

While such comparison is just a mental exercise, it illustrates a big tear in the fabric of the Lebanese advertising industry. The local market is small and stagnant to the point of going into an advertising recession. Regional markets are not looking good because of the oil price slide or are, in the case of Syria, completely paralyzed. Lebanese creative agencies, however, are reaping accolades for their productions and have been ramping up their reputation for more years than the market has been slumping.

Case in point, last month saw several agencies awarded high rankings in several ad industry introspections, such as the Big Won Report, the Gunn Report and the annual listing of “brave” agencies by trade magazine Contagious. The biggest winner from Lebanon was agency Leo Burnett Beirut, a member of the Publicis conglomerate. It tied in Contagious’ list of global standard setters with another Arab agency, Menacom’s FP7 Dubai, in tenth place worldwide.

That’s not all. From their fairly modest offices – even by regional standards – on ever-busy Charles Malek Avenue in Achrafieh, Leo Burnett Beirut swept awards for top creative productions with commercials such as the keep the flame alive campaign of Diageo’s Johnnie Walker whisky brand (a Lebanese national confidence booster) and two civil society messages – Sakker el dekkene’s Lebanon4Sale, an anti-corruption campaign, and vote for us; we’ll vote for you, the women’s legal rights campaign for Kafa.

According to Nada Abi Saleh, managing director at Leo Burnett Beirut, these three campaigns were in the top ten globally in one or more categories which the Big Won Report computed from compiling information on 3,406 pieces of advertising work which in 2015 had won nearly 7,200 awards in 32 awards shows around the world. Additionally, Leo Burnett Beirut was lauded as one of the top 20 creative agencies in the Gunn Report.

This needs to be put into context. First, advertising awards are a marketing genre in itself. What else would one expect? While best-in awards and recognitions have become frequent in activities from banking to horticulture, the advertising industry has a larger propensity than most to assess its own products and advertise outstanding performances. Dubai Lynx, a regional chip off the old Cannes Lions block, and MENA Cristals, an ad feast that was staged on an annual basis in Kfardebian until it moved to Dubai last year, are regional specimens of the advertising awards genre. This notwithstanding, advertising industry award news are not mandatory reading for either advertisers or business reporters. It’s fine if you never looked at the Big Won Report, Contagious Communications or the Gunn Report.

Secondly, advertising industry leaders often speak dismissively of award shows when they are not at the events to sit on juries, deliver speeches or receive trophies. Time and again, agency owners and decision makers across the region have told Executive in interviews that awards are good for the morale of their teams and help talented individuals to get ahead in their careers. But that’s it. When it comes to the bottom line, multinational clients don’t assign big accounts on the basis of the number of awards won by an agency.

A narrative of inspiration by adversity

Yet, once the hype and marketing praise is stripped from the narrative, there is an admirable core. According to Abi Saleh and Kamil Kuran, the agency’s managing director for the Levant, the story took off a few years ago with the Leo Burnett Beirut office’s first successful grab at quality international attention when the team, in Kuran’s words, “cracked Cannes” with Khede Kasra, a women’s empowerment campaign for the Hariri Foundation.

[pullquote]Lebanese creative agencies are reaping accolades for their productions and have been ramping up their reputation for more years than the market has been slumping[/pullquote]

Winning a Gold Lion in the public relations category in 2009 ignited curiosity about who these people from an out-of-the-way agency were, Kuran explains. “I think credit of course goes to the entire team but under the leadership of Nada [Abi Saleh] at the time. The thing is, it’s so hard and you work so hard to crack something, but once you crack it, you become more confident and you start to know what it takes [to create prize worthy campaigns],” he says.

Abi Saleh interjects that the roots of the Beirut agency’s increased creativity became visible several years earlier in 2005 and 2006 during a period when the Lebanese people were eager and then desperate to see change. The agency at the time started infusing encouraging messages into ads for local retailers and banks. “We wanted our brands to not be distant from our Lebanese reality. We wanted them to be parts of the people’s mind and affection and emotions,” she explains. This marked a shift in thinking that was not planned, she adds: “I would love to say that we started with a vision, but this is not the entire truth. I think we started doing it very intuitively and thanks to the culture that some key people at this agency wanted to establish.”

The momentum was kept and in 2012, the agency was acknowledged as the world’s number 6 in creativity in the Big Won Report. According to Kuran, the dynamics in the interaction between the agency’s individuals, its collective team identity, and its simultaneously diverse and adverse Lebanese environment provided the factors that kept the creative juices flowing and coalescing in the successful campaigns seen since.

“The beauty of it is the dynamics of all of those together. Communication and advertising and all that are a form of learning and a form of culture. [If you] try to instill change, try to combat all this complacency and the spirit of giving up within our population, you’re always trying to push the envelope,” he says. When the mindset of wanting to give the message that Lebanon can achieve collides with the defeatist sentiments found in large parts of society, this frustration creates “fertile ground” for causes and for coming up “with campaigns that touch the hearts of people,” he elaborates further.

[pullquote]Frustration creates “fertile ground” for causes and for coming up with “campaigns that touch the hearts of people.”[/pullquote]

Campaigns designed with the objective of promoting needed change then were driven by “a hunger to prove ourselves and demonstrate that in such a small country we can make a difference that is 100 percent made in Lebanon. I don’t think anywhere in the world there exists a country like this where people keep beating you down and you keep resisting and wanting to instigate change,” Kuran goes on.

It was a progress along the same mental road that led Leo Burnett Beirut to its latest award winning campaigns. As Abi Saleh and Kuran tell it, the Johnnie Walker keep the flame alive campaign was the result of intense brainstorming and teamwork on how to make the long-running commercial more relevant to Lebanon. Seeds for the production had been secured when the agency got approval to acculturate the brand’s keep walking theme to Lebanon, engaging local celebrities to star in spots and using images such as walking across bridges that had been destroyed in the conflict of 2006. When conceived and realized in 2014, the ‘keep the flame alive’ commercials were informed by the resilience of Lebanese people and their affirmations of determination and overcoming in the face of the hardships.

In the greater context of changing attitudes in the communication with customers, Abi Saleh and Kuran say the winning Leo Burnett Beirut campaigns are part of a wider flow toward people-centric thinking and to developing the why of brands instead of emphasizing only the what. When it comes to the fact that a comparatively small office with relatively few staff now rates far above international expectations in its creativity, Kuran conjures an image of a different kind. “Imagine you are watching a tribe of lions which are all roaring. Suddenly you notice this small Chihuahua which shows up in the tribal meeting and instead of barking, that Chihuahua roars, and it roars louder than the lions. It gets your attention.”

We all agree that in the lions’ dens of global advertising, the Lebanese currently stand out as the roaring Chihuahua.

March 16, 2016 0 comments
0 FacebookTwitterPinterestEmail
AdvertisingSpecial Report

Battle for the ad dollar

by Thomas Schellen March 14, 2016
written by Thomas Schellen

Remember the one from Brooklyn-born designer Kenneth Cole? “Millions are in uproar in #Cairo,” he tweeted in early February 2011. True. Because they allegedly had heard about his fashion company’s “new spring collection”, the gifted marketer blared on. Triple ouch.

Every year, there are some advertising campaigns that backfire badly. Most can be attributed to cultural ignorance/insensitivity in combination with stupid timing. Cole’s was in that class, although a few grades below Coca-Cola’s epic miscalculation of first Israeli and then Arab sensitivities that led to the brand’s 23-year Arab boycott from 1968 until 1991. As far as marketing communications blunders that hurt foreign brands in the Middle East and North Africa, one cannot assess if and how much Cole’s tweet damaged Kenneth Cole Productions beyond the large immediate outcry that it generated in 2011, since the company delisted in September 2012 and henceforth had no obligation to publish results.  

Some marketing mistakes are clearly costlier than others but in general, these blunders come and go and do surprisingly little damage to the advertising industry’s profitability. The profession has become more accountable – even if that is mainly due to scandals, litigation, bad press and the arrival of digital consumer power, it also seems rooted in the will to improve. Lying to the educated consumer is the big no-no of today. Cigarettes don’t improve your health, shampoo doesn’t make you irresistible, wearing sports shoes does not make you lose weight, food is just food and there is no one drug that cures all cancers. Moreover, marketing success doesn’t grow on trees. Therefore agencies have learned to steer away from lying to the customer and from deceiving the advertising client.

Grand ideas

At the same time, however, the advertising industry has an existential need to tell stories that are bigger than life. That’s why the right deodorant and the even more flavorful toothpaste get you your dream partner, why every detergent, mobile phone and breakfast cereal is far superior to last year’s version, why every hamburger looks much better in the ad, et cetera. The knowledge that people will respond positively to embellished tales of beauty, goodness and well-being is deeply engrained in the ad industry’s DNA. Advertisers on their end always want more return for every dollar they spend on campaigns. The problem for the marketing communications profession is that the two mandates of not telling a lie and delivering a great, funny, enchanting and profitable narrative are contradictory.

[pullquote]The smallness of the revenue pie sheds harsh light on the economic viability of even prominent audiovisual networks and practically all print media[/pullquote]

Agencies seem to have embraced life within this contradiction so thoroughly that they often perceive and describe matters in their own industry through bifocal lenses with very different focuses. Like now. Judging by the numbers, the Lebanese advertising market is drifting in very dangerous currents.

This danger is not prima facie because of the mind blowing discrepancies between billings according to rate cards and estimates of real advertising sales revenues achieved by local audiovisual, print, outdoor and digital media suppliers. This gap is so customary and currently so accepted that regional ad market researchers Ipsos Media CT in their report on Lebanon, published last month in trade magazine Arab Ad, just specify what they assume to be the correct inflator for each advertising medium. It is apparently useless to fuss about the fact that these inflators range from 50 percent in the cinema category to almost 1,600 percent in television, meaning that 2015 rate-card billings of $1.62 billion in Lebanon must be revised lower, much lower – namely to an estimated $190 million.

That amount is equivalent to not more than 0.4 percent of Lebanon’s Gross Domestic Product which has been estimated at $47 billion in 2015. In the context of the country’s fragmented media landscape, with many outlets that each cater to very partisan target groups, the smallness of the revenue pie sheds harsh light on the economic viability of even prominent audiovisual networks and practically all print media.      

The danger hidden beneath the disinflated ad spend figures is that this estimate contains too much ambiguity for making a proper assessment of the industry’s health or sickness. Real advertising purchases in 2014 and 2015 could have been even lower than the Ipsos Media CT estimates of $188 million and $190 million. Directors of media planning agencies – the experts in assessing the advertising clients’ demand and purchases of media supply – work with the numbers but cannot actually confirm their accuracy.

Cloudy outlook

At Mindshare, a media planning agency that is part of WPP, the world’s top marketing communications conglomerate by annual revenues ($19 billion in 2015), the Lebanese market is judged to have been below published estimates in the past two years. Ghada Hmedeh, who manages a portfolio of luxury business from the Beirut office, tells Executive that by Mindshare’s assessment, Lebanese ad spend in 2014 was similar to 2013 and reached about $180 million in each year. “We have estimated a decrease of about 20 percent and I would say from looking at all the numbers that 2015 was closed at around $150 million,” she says.

[pullquote]Lying to the educated consumer is the big no-no of today[/pullquote]

Wilson Issa, the managing director for the Levant at market-leading planning agency VivaKi, part of the global Publicis conglomerate, gives an opinion when asked if he considers the $190 million figure for 2015 to be the real one. “Let’s put it this way: if [advertising spend] is flat, that means it is shrinking. Even if spend remained the same in 2015 versus 2014, it means that efficiencies have shrunk,” he says.

According to Issa, it is not a good signal if overall spending on advertisements is stable, because it coincides with shifts into digital marketing and this investment then necessarily is at the expense of traditional media, such as print. He observes, “Media owners were tremendously challenged in 2015. Overall budgets are more or less the same [in 2016 to date], but in a scenario where you know that you need to increase your efforts on digital, this is bad news for certain media owners.”

Beyond being worrisome for traditional media, stagnancy of advertising markets is not sustainable for the entire industry if it goes on for extended periods. “Absence of increase for one or two years is understandable, but if the lack of growth goes on longer, it is alarming,” he says.

This, however, makes 2016 something of a year on the edge. Advertising budgets of multinational clients are not something that the Lebanese media planners can bank on, because the national market is part of their regional planning and a small one at that. Given that regional economic growth outlooks are subdued and Lebanon is steeped in uncertainties, local spending by multinational clients might be at levels unchanged from previous years but increases are unlikely.

Expanded spending from regional and local clients is not much of a prospect either, given absent or minimal domestic GDP growth expectations and necessary adjustments to lower oil revenues in energy exporting countries. The advertising industry numbers of 2015 show that most Arab advertising markets reflected the tighter economic realities with drops in spending.

[pullquote]The advertising industry numbers of 2015 show that most Arab advertising markets reflected the tighter economic realities with drops in spending[/pullquote]

The outlook of further drops in regional ad budgets is therefore very concrete, even if such a downturn at this time does not directly translate into contractions of the Lebanese market, as it did in the 2008/9 burst of the real estate bubble and crisis of financial markets in the Gulf Cooperation Council (GCC). In terms of impact, the prospect of another year of no advertising growth in Lebanon is something that large and well-positioned media agencies will be able to weather but this may not be the case for everyone, says Carole Hayek, the Lebanon general manager of planning agency Optimedia, which she established in 2004 under the Publicis umbrella from Beirut.

Hope for the future?

“The problems will be affecting mainly small and medium advertising agencies, independent ones. Lebanese agencies can easily survive another difficult year but I am not so sure about small agencies,” explains Hayek, who is also vice-president of the Lebanese Advertising Association. Moreover, the resilience is limited, she admits. A lack of growth beyond 2016 would be hard to stomach. In that case, “I personally think that there will be a difficult moment for the entire industry,” she says.

The best-case scenario for the local market, in the view of Mindshare’s Hmedeh, would be a boost from a new Lebanese president. A successful election in the near future would cause a number of local advertising clients to activate campaigns in response to the upswing in national sentiment over an end to the presidential crisis, she says, but even in that scenario, her best-case expectation is for a stable market. “If we can have elections, we can optimistically look to a similar performance as last year; otherwise we might be facing another drop [of the same magnitude as in 2015],” she says.  As to markets where Beirut-based agencies could become newly active, she sees Iran as a tentative potential, based on research undertaken there by companies in the Lebanese marketing communications industry.

[pullquote]The stagnancy of the Lebanese market is not helping with the recruitment problem but the market will remain on the maps of multinational clients[/pullquote]

For Hayek, the industry’s current problem is exemplified in a lack of agency recruitment that makes local doors hard to enter for new Lebanese talent. In terms of improvement options, she sees the potential as dependent on factors in the Near East region. The stagnancy of the Lebanese market is not helping with the recruitment problem but the market will remain on the maps of multinational clients, she says: “Improvement is not on the near horizon but things cannot continue like this. This market has good potential and I am optimistic that things will change. Once there is political stability in countries around Lebanon, things will change drastically.”

In Issa’s view, the market will sustain itself because some advertisers always see an opportunity to invest into more marketing and improve their positions when competitors react to an economic trough by lowering their marketing budgets. In this sense, his worst-case scenario for 2016 is for overall budgets to remain at the level of 2015, as he expects withdrawals by the cautious type of client to be balanced by the expansionary minded ones. He says, “This is why I am telling you that advertising in a way regulates itself. Both breeds of clients, however, want more [return] for the same [marketing investment] or more for less. That is the challenge for the advertising agencies and the media suppliers as a whole.” That now seems to be the optimistic view.

March 14, 2016 0 comments
0 FacebookTwitterPinterestEmail
LeadersOpinion

Improving the economies of words

by Executive Editors March 14, 2016
written by Executive Editors

In the beginning of human expression, technically speaking, there was the pictogram. The marriage of image and meaning, irrespective of the degree of abstraction involved, is how communication can be kept “on record”. Where glances and body language cannot be preserved without comparatively extensive technology, words and pictures codify human history.

In this sense, it is indeed appropriate that the 200th issue of Executive magazine entails a section on advertising. The endeavors of content communications and marketing communications are semantically subsumed under a shared term – media. Being both part of media, the economic relationship of marketing glorifications and critical reviews of the same stuff – products, news, opinions et cetera – is a perennial competition. 

The truth of this competition is that media will have a prosperous future only if we can, on both sides, understand and practice our opposing approaches as a non-zero-sum game. Non-zero-sumness, as defined by American thinker Robert Wright, is the development scenario where competing interests overlap positively and an optimum outcome can be produced that brings more advantages to the interested parties than a zero-sum, or win-lose, solution. Walking a mile in the shoes of Adam Smith, one might perceive the logic of non-zero as an evolution of the “invisible hand”, which the philosopher-father of economics did not actually elaborate on.

According to Wright, non-zero-sumness requires advances in communication, technology and information processing, factors that are central pistons of the global economic machine. But it also needs something called “moral imagination”, which enables us to envision life as being at the same time ethical and successful, or what for Smith might have been captured in the “impartial spectator” concept; a humanly inherent ability to assess our own actions from another person’s perspective.

Applying such assessment techniques to the situation of Lebanese media at the current juncture, Executive editors see it as prudent to call for more interaction of journalistic – in the real sense – and responsible advertising media. This interaction is needed to address the questions of media ethics that in the digital age can no longer be answered in the ways in which answers were constructed a hundred years ago. 

The economic survival of both marketing and journalistic media depends on the ability to tell better stories, all the time. If the Lebanese advertising market is suffering, we are both as fishers in two tiny vessels that are shaken by the same gales and battered by the same breakers. Telling stories better requires talent which we are happy to ascertain for the Lebanese creative advertising community and, with a modicum of humility, ascribe to our track record of 200 issues and almost 500 contributors.

Also required for production of better narratives are competency in the digital sphere and diversity. In the first regard we have much to learn at Executive. Thus, our note to the editorial self and call for action are to improve our digital capabilities and their applicability in all parts of our enterprise, and then embark on a new life in the avant-garde of business publications. If top standard setters of 20th century journalism could start their careers in 19th century places such as Boonville, Missouri, and St. Louis, Missouri, we see no reason why the next impulses for top business journalism should not germinate in our inspired environs of Achrafieh, Beirut. 

In parallel, we urge the entire Lebanese marketing communications community to invest in their digital capabilities. As evidenced by a contribution of only five percent to advertising spend, Lebanon is still a laggard when it comes to digital practices, and we hear from leaders in the media planning industry that many agencies have yet to invest into and develop convincing digital offerings, as well as initiate measures to increase awareness within the local advertiser community. We call for more such outreach from marketing communications players.

We further reiterate the call to collaborate on codes of conduct and standards of ethics for the entirety of Lebanese media enterprises on both the marketing and journalism sides. All players need to devise and agree on a code that gives audiences confidence that outlets understand and respect the country in its specificities, and that incorporates ethical accountability in media behavior.

And last, on the topic of diversity and leadership, we – all in the Executive editorial team but especially its male members – offer our masculine curtsies and tip our feminine hats to the leadership evolution of local marketing communications companies, where an impressive number of agencies have achieved parity of women and men in managing director positions. Thank you for setting examples for us to learn from.

March 14, 2016 0 comments
0 FacebookTwitterPinterestEmail
  • 1
  • …
  • 128
  • 129
  • 130
  • 131
  • 132
  • …
  • 691

Latest Cover

About us

Since its first edition emerged on the newsstands in 1999, Executive Magazine has been dedicated to providing its readers with the most up-to-date local and regional business news. Executive is a monthly business magazine that offers readers in-depth analyses on the Lebanese world of commerce, covering all the major sectors – from banking, finance, and insurance to technology, tourism, hospitality, media, and retail.

  • Donate
  • Our Purpose
  • Contact Us

Sign up for our newsletter

    • Facebook
    • Twitter
    • Instagram
    • Linkedin
    • Youtube
    Executive Magazine
    • ISSUES
      • Current Issue
      • Past issues
    • BUSINESS
    • ECONOMICS & POLICY
    • OPINION
    • SPECIAL REPORTS
    • EXECUTIVE TALKS
    • MOVEMENTS
      • Change the image
      • Cannes lions
      • Transparency & accountability
      • ECONOMIC ROADMAP
      • Say No to Corruption
      • The Lebanon media development initiative
      • LPSN Policy Asks
      • Advocating the preservation of deposits
    • JOIN US
      • Join our movement
      • Attend our events
      • Receive updates
      • Connect with us
    • DONATE