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Lebanon 2019Young Lions Print Competition

Young Lions Print Competition

by Executive Staff April 10, 2019
written by Executive Staff

The time is here for the fifth edition of the Young Lions Print Competition, which aims to search for the most talented and creative team to represent Lebanon in the Cannes Lions International Festival of Creativity 2019 that takes place in Cannes.

Executive Magazine, the country representative for the Lions festival challenges Lebanon’s young creative minds on May 4, 2019 at the American University of Beirut to take part in the National Young Lions Print Competition.

The Cannes Lions, the most prestigious awards in the advertising industry, explores the value of creativity in branded communications and provide participants with access to innovative ideas, pioneering consumer research, and emerging technologies, all of which will help shape the future of popular culture.

The winners of the Young Lions Print competition will have complimentary access to the festival and will represent Lebanon in the global Young Lions competition at the Cannes Lions International Festival of Creativity on June 17-21, 2019.

Take the challenge now and get the opportunity to compete against peers from all over the world and be a part of a greatly rewarding experience that could change your career forever.

[embedyt] https://www.youtube.com/watch?v=Hw9T-BuHDdA[/embedyt]

HOW IT WORKS
– Young Lions must be 30 years of age or younger, born on or after 21 June 1988
– One creative team (consisting of one copywriter and one art director) to produce a print ad within 7 hours
– Participants should be working in creative communications/ advertising/ digital agencies
– Freelancers are accepted to compete in this competition
– Entrants must be Lebanon residents
– All work created during the competition is judged by the selected jury composed of creative directors from several advertising agencies
– All entries should be submitted in either Arabic or English
– The competition brief will focus on charitable, not-for-profit and CSR objectives
– The competition brief is revealed to competitors as the competition commences
– The participation fee per team for the Young Lions Print Competition 2019 is $200
– The winners will be announced on May 8, 2019

 

 

ONLY TWO LIONS WILL MAKE THE FINAL CUT AND WIN
– A trip to Cannes Lions International Festival of Creativity (including travel and accommodation)
– The chance to participate in the global Young Lions competition and compete with other young creative talents from around the world
– The opportunity to showcase their work to the Cannes Lions jury – composed of top professionals working in the industry
– A chance to win the top prize in Cannes and be rewarded on stage at the prestigious Cannes Lions Awards Show

 

REGISTER NOW

Register Now by filling this form and sending a copy of your identity card to Mrs. Maguy Ghorayeb at [email protected].

For more info about the competition please contact Executive Magazine on +961 1 611 696

Registration deadline: April 28, 2019.

 

 

April 10, 2019 0 comments
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Hospitality & TourismNightlifeProfiles

Lebanese DJs on the music scene in Lebanon

by Sarah Shaar April 8, 2019
written by Sarah Shaar

Beirut’s local DJs have been creating a buzz among the country’s music-loving community. Some are co-owners or resident DJs at some of the biggest clubs in the country, others, such as those profiled below, circulate the scene playing different sets at Beirut’s electronic music clubs. From playing sets and producing music, to sound engineering and sound design, DJing as a profession is much more than just a set list. The DJs Executive profiled all play an important part in Beirut’s diverse music scene, they explain why they chose to focus on music as a career.

LILIANE CHLELA

Starting out her career 16 years ago Liliane Chlela was one of the first female DJs in Lebanon to join the scene. With only three other women in the game, she felt that she was being used as a marketing tool in the industry. Shortly after realizing that on top of the misdirected attention she had to be playing top hits to get booked, she decided to put DJing to the side and focus on production. 

Her journey in production started 10 years ago using manually rewired gear to obtain certain sounds; she only switched to digital in the last six years. Chlela still limits her use of software to editing and recording and uses what she has around her as instruments to produce sound.

She has been experimenting with her sound since, forming her sonic identity by always pushing her boundaries and working with artists who follow a different style. For the past two years, Chlela has been collaborating with Hamed Sinno, the lead singer of the Arab-Indie band Mashrou’ Leila, on the Butcher’s Bride, which combines Chlela’s signature sound of live electronics and production with Sinno’s distinct vocal stylings and lyricism: “We got to work together thanks to Beirut and Beyond, they wanted to throw a fundraiser, and they asked us if we had the time. We just clicked.”

Chlela also caught the attention of Boiler Room, a global online music broadcasting platform that has hosted shows in over 100 cities worldwide. Her session was chosen as part of their underground coverage of the scene in Beirut.

She mentions that gender imbalance in the line-up selection is still an issue and is currently working on shedding more light on this matter while figuring out tangible solutions.

Chlela admits that in previous years, it was easier to make a living out of DJing, remembering a time where she was charging $500 a set and sometimes earning $2000 a weekend. The fact that at the time DJ’s were rare to come by definitely contributed to the difference in the going rate. With the advancements in technology that led to the increase of DJ’s, the rate has been cut nearly in half for the local talent.

She explains that the best attitude to have is to always think that there is more out there: “Try everything you can, even if it sounds bad. Never let the aim or the goal be that you get to somewhere and think that you’ve made it. Keep trying. It’s very important.”

TASH HOCHAR

Tash Hochar owes her skills and passion for music to her father, Walid Hochar, who also DJs. As her world was always musical, she tries to attend most events and support local talent. Adding to her influence is DJ Gunther Sabbagh, known for his radio show Underground Sessions with Gunther and Stamina on Mix FM, as well as his long-time residency at BO18. For Hochar, “There is only one Gunther.”

Working as a copywriter, ghost writer, and digital strategist for eight years, she decided to leave the corporate world and dedicate her time to her career in music. Still accepting freelance writing jobs during the day from clients that she values, she is also the co-founder and music director of Thirteen Management, an event management company currently throwing techno events. She plays four to eight sets a month.

Hochar argues that what helps the industry grow is being present. She is always on the look-out for new local talent, as she sees that the nightlife industry is booming, with a rising interest in electronic music. She says that the networking that goes on at these events, venues with DJs and attendees plays a big part in the growing scene.

She studied music production at Per-vurt in Beirut, and later traveled to South East Asia to expand her knowledge and also work as a DJ. Hochar produces tracks in her home studio, however she has not yet released any, as she is still building her skills and does not want to rush the process.

For her, interacting with people through music is a magical experience. She enjoys seeing the effect music has on the crowd, and often bounces around with the crowd from behind the decks: “I may be a DJ, but my heart’s always on the dance floor with the people.”

Hochar was also featured in Damascus and The Ivory Coast: “I get booked by people who have watched me perform in Beirut. When I’m outside of Lebanon, I always love to explore the music scene of other countries, and I make friends easily.”

To her, the scene is only getting bigger, with large potential for Beirut to break the barriers.

WILLIAM MAHFOUD

William Mahfoud started his career in sound in London, where he got a degree in sound engineering. First playing his way through the underground circles, he eventually found himself featured on The Ministry of Sound. Mahfoud later moved to Dubai where he mixed and produced adverts for various agencies there and abroad. During his time there, he also managed to nurture his DJing skills as a resident DJ for the longest running club night in Dubai, Night Vibes, which is run by Rima Rached, and played alongside big international acts including Terry Francis, Dance Spirit, Dinky, Joyce Muniz, and Pillowtalk.

When asked about what helped him form his sonic identity Mahfoud mentions the Kaotik System and Silver Factory crews, who introduced more alternative electronic sound into the country, as well as DJs Dansz, Cesar K, and Fady Aswad, who played a variety of genres ranging from minimal house to breakcore. “They all shaped my sound today, and I owe them everything,” he says.

Mahfoud, who also goes by the stage name Rise 1969, has also been producing his own music for eight years with two albums and two EPs under his belt. While also working as a sound engineer at Red Booth Studios in Jounieh, he finds time to make his own music—while guzzling coffee at an alarming rate—and DJs at bars such as Abbey Road in Mar Mikhael, and clubs like Reunion, where at the time of interview he had played his semi-final set for the BBX competition, The Ballroom Blitz, and Projekt.

He explains that making a living out of DJing is difficult if it is done out of passion; to continuously bring something new is challenging, more so than mixing top hits that are known to be crowd pleasers. He sees no problem getting booked in Lebanon as opposed to how it is internationally, since the country is small, which makes it easier to gain popularity through word of mouth and social media.

However, Mahfoud believes that the electronic music bubble might burst soon, as he fears that the techno scene will become another passing trend. On the upside, he argues that it has generated some die hard fans and sub-communities that will carry it to the future through small event promoters who have “a musical identity” and a regular following, as opposed to those just following the current trend.

ZIAD MOUKARZEL

Escalier 301B

Ziad Moukarzel started getting serious about DJing in 2007. During that time he was working at popular alternative-music store, La CD-Tech, alongside Jad Soueid (Jade) from The Grand Factory and Ziad Nawfal, who co-owns the music label Ruptured—which Moukarzel is a member of—and who has been a radio show host on Radio Liban since the early 1990s. First accepting gigs at various bars around Beirut, Moukarzel broke into the club scene in 2013, when he played his debut set in Yukunkun, Gemmayze.

His influences came from movements spreading rave culture, such as Kaotik System, and Acousmatik, as well as long standing friendships with DJ Dansz, and Nawfal. He developed a taste for various genres, which he sometimes sees as a disadvantage as he finds that it can be challenging to be promoted as something that is not strictly house, tech-house, or techno. With a background in cinema, Moukarzel was found moving toward sound, “It was something interesting to give the value of sound because sound is always present.”

In 2016, Moukarzel moved back from Qatar, where he was working as a segment producer at Al-Rayyan TV station, to focus on his career in music and sound. He opened Woodwork Studios with his partner, located in Hadath, Beirut. However, he does admit that: “It’s a lot of work, and it’s expensive. You’re paying the studio rent, and the equipment, which is not cheap. My desk alone is $35,000, plus there are the acoustics of the room.” He charges his sound design services at a range of $300-$500 per day, and is mostly selective with what he takes on. When he’s not working on design or DJing, he works on his own productions that he has played live on a modular synthesizer as a solo act at Reunion, and with Akram Hajj in their indie electronica duo “Escalier 301B” at venues like The Ballroom Blitz, and B018.

Moukarzel won second runner-up in last year’s BBX competition, however, he was unable to join the one-week residency at Riverside Studios in Berlin due to complications with his visa process. He holds music production workshops and DJing lessons at vinyl record store and bar Orient Express, Tota, and Riwaq.

He prefers playing clubs to working in the studio: “Being on stage is different. It is a different feeling, it’s an ‘in the moment’ kind of feeling where you have to be literally in the moment all the time, and it takes a lot of focus to deliver whatever you want to deliver in a specific amount of time.”

DANNY SAMAHA

Danny Samaha, who goes by the stage name DJ Dansz, has been DJing for almost 30 years. He began his career back in the 1990’s, and was one of the first to play spaces like since shuttered Basement. Over the years he has taken sabbaticals from DJing, but he has never completely left the scene. Just last year, in August, he got the chance to play the closing set for his greatest influence in electronic music, German techno DJ Dominik Eulberg. Samaha took this opportunity to present Eulberg with a book on the different species of birds native to Lebanon, as Eulberg used to be a forest ranger and is wildly passionate about birds and known to use sounds from nature in his work. Samaha played his first set in the Ballroom of The Ballroom Blitz on March 23.

Samaha has also been featured internationally in Cyprus, Oman, Dubai, and more recently Paris. Most bookings are done through word of mouth and friends. He is a full-time DJ, playing at bars like L’Osteria in Mar Mikhael, and Cayenne, Gemmayze three times a week, and now making a comeback into the club scene. Over the years Samaha has established his reputation among audiences and his fellow DJs, he is known in the scene as producing exceptional sounds during every set, and doing his best to ensure everyone goes home satisfied.

Him and his wife Zeina have collaborated to form Escape, a semi-private party that is not advertised to the masses and instead relies on word of mouth through smaller groups on social media. So far, they have thrown four of these events, in Aramoun, Khalde, Achkout, and Batroun. Samaha sees them as the perfect getaway for those looking for a relaxing atmosphere with some great melodic beats. The fourth Escape had around 40 guests, and Samaha predicts the numbers gradually growing as more and more people gain interest in this concept of partying. He will be throwing the next one on April 25. He says, “This is exactly why I DJ, it is the ultimate way for me to do it. I am playing my music and doing everything not to impress anyone, but rather to create the best space that will make you feel good.”

His advice to anyone who is starting out is to “remember that you play for the people. Don’t ever forget that. This is your job, without the people you have nothing to do. You play to make the people happy.”

JAD TALEB

Jad Taleb was the first winner of The Grand Factory’s BBX competition. He started his career in DJing at Yukunkun, Gemmayze, in 2015 when he was celebrating the launch of his debut album for his former electro-rock band The Flum Project. His local influences were Arab trip-hop band Soap Kills, Lebanese hip-hop band Aks el-Ser, and jazz composer Toufic Farroukh.

He has released several tracks with labels like Exploited Records located in Berlin, Red Bull Music Academy, and Smiley Fingers in London. “Producing music reflects my introvert personality, and I love it. I like to spend a lot of quality time in my studio,” Taleb says. “ I [also] like to DJ because it’s the best way to interact with your audience.” Though, he does mention that a challenge he faces in the scene is the inevitable “Eh eh, yalla yalla,” coming from the over eager members of the crowd when the beat drops.

Through the BBX program in 2016, he was introduced to promoters in the scene who were interested in his sound. He eventually found himself touring in Berlin, Paris, Stuttgart, Marseille, Bielefeld, Saalburg-Ebersdorf, and Tunis the following year. “It was nice, it was the peak of my Europe experience in 2017,” he says.

When playing at clubs, he looks for the places with an identity—clubs that like to tell a story and serve a greater purpose, as opposed to clubs running only to turn profit. And to him, clubs like The Grand Factory and The Ballroom Blitz offer just that. It is at The Ballroom Blitz that he and art director Maria Kassab will showcase his audio visual platform “Assault on Structure,” which features interactive exhibitions and live performances from local artists yet to make their break, or those who rarely play live. He explains, “Most of the people who worked with us in Assault started projects, launching an album, or wanted to perform a new live set, so we worked on this to promote [them] locally and internationally.”

Taleb believes that Beirut’s electronic-music culture has yet to form its own sound, like Chicago with house music. He theorizes that perhaps this is because Lebanon has seen many a civilization come and go, constantly changing the country’s identity.

April 8, 2019 0 comments
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Hospitality & TourismNightlife

Lebanon’s electronic music entertainment business

by Sarah Shaar April 8, 2019
written by Sarah Shaar

Electronic music is a worldwide trend—and for those who keep up with it, it must seem as though Beirut is hosting a headliner or an emerging artist who is topping the charts in Europe or the US every other week. Even those who do not follow the scene will have found it hard not to notice the increase in clubs in Lebanon with dedicated electronic music nights.

A brief history

The electronic music scene has existed in Lebanon since at least 1998, when B018 moved to its now famous Karantina venue. It was followed by its competitor Basement in 2005—though the latter shut down in 2011, an homage to it exists in the form of The Basement Reunion room in The Grand Factory. Both B018 and Basement were born in the bottle service era, with venues looking more like restaurants that moonlit as clubs. In 2012, Ali Saleh and his partners decided to take the scene to the next level, just six months after opening their winter concept, Uberhaus, they went from the 300 person venue in the basement of the WH Hotel in Hamra to what is now their summer venue The Gärten by Uberhaus, at Seaside in Downtown, with capacity of 4000.

The new summer venue, Gärten, was one of the first in the country to make its focus the DJ and dance floor. Where previously clubs had tables, Gärten made room for people to dance and move around freely (at least until a headliner or Class A DJ is playing, then you are mostly confined to rocking back and forth in a packed crowd before forcing your way to the back to get some air).

The Gärten by Uberhaus

The success of Gärten, and subsequent electronic music clubs in Lebanon, are an indication that Beirut has carved a place similar to that of the underground scenes found in Berlin or Paris. Most club owners Executive spoke to admitted that they had not expected to be received so well so quickly. Though the appetite for electronic music among the Lebanese should not have come as a shock, other than clubs like B018, there were groups such as Kaotik, Silver Factory, Acousmatik, Minimal Effort, and We Run Beirut throwing events all over the country. These bands and early adopter clubs laid the groundwork that exposed more people to alternative electronic sounds, not those usually heard on the radio during the morning commute.

With the creation of Gärten, a space that resembled a festival venue, Beirut embarked on a journey that led to an increase in both international and local DJs on the scene. In 2013, The Grand Factory, one of Beirut’s biggest club venues came into being. Owned by Jad Soueid (Jade), Grand Factory later branched out to Soul Kitchen—a smaller room resembling a pub that plays vinyls, and serves pizza and cocktails that is exclusive and by email invite only—and The Basement Reunion room—which also operates by email-invite only, and is a tribute to Jade’s previous club, Basement, that was known for having one of the best sound systems in Beirut. The Reunion room hosts Grand Factory’s annual Beirut Berlin Express (BBX) competition for local DJs and producers, the prize of which is a month-long residency in Berlin—this year’s finale will take place on April 12. The residency has changed yearly, and in 2019 will take place at at DJ Sasse’s Blackhead Studios, where the winner will produce and master an album, as well as network and learn, improving both their skills and their exposure.

BBX competition at the Reunion

Rise of the local DJs

All the DJs and clubs that Executive spoke with say that technological advances in mixing and producing software is what made DJing more accessible to music lovers, sparking the worldwide interest in electronic music. Lebanon caught on to this trend with the opening of Uberhaus/Gärten. Saleh notes that when they first came onto the scene, the DJs at B018 were limited to then-Mix FM’s Underground Sessions music show hosts DJs Gunther and Stamina, and, starting 2004, DJ Ziad Ghosn, allowing little room for other local DJs to play. He says that when they opened Gärten they showcased at least 10 local DJs, the likes of Ronin & Nesta (who also previously hosted a Mix FM radio show “Beirut In the Mix”), Romax, and Tia (both of whom are now resident DJs with Uberhause/Gärten). This opened up opportunities for local DJs who had previously been playing house parties, one off events or gatherings to create wider fanbases among the Lebanese and also internationally.

Saleh also argues that what helped local DJs gain popularity was the bottle-service style of clubbing giving way to what was available, i.e. the electronic music scene. Gärten cut its $30 entrance ticket after operating for a few years and realizing that they did not need to keep the entrance so high in order to turn a profit—the lower priced entrance meant a greater volume of guests. Now the going rate is $15 for entrance on regular nights and up to $25 dollars on nights with headliners.

Clubs like Uberhaus/Gärten, The Grand Factory, and The Ballroom Blitz (which opened October last year) also help expose local artists to international talent, through various initiatives aimed at helping grow the local talent pool. Uberhaus used to run an exchange program with clubs in Europe and the US that gave local artists the opportunity to be seen by international booking agents, though this is currently on hold. Meanwhile, Grand Factory’s BBX program can lead to opportunities like that of local DJ Jad Taleb, who turned the networking experience into a Euro-tour and being a feature act in Tunis courtesy of a club manager he met in Berlin.

The Ballroom Blitz, which consists of three rooms each playing different sets, uses The Gold Room as a way for local and international talent to showcase a more alternative sound. For Joe Mourani, the owner of Ballroom, The Gold Room is “the heart of the project.”

The Ballroom Blitz also hosts a “take-over” night one Saturday each month, where local groups that already have strong followings, such as TeknoAnd and Lebanese indie label Ruptured (co-founded by music promoter and radio producer Ziad Nawfal and sound engineer and producer Fadi Tabbal) can showcase their or their artists’ signature sounds to new crowds. Ruptured has been producing and promoting Beirut’s experimental electronic sounds on Radio Liban since 2008.

Venues like Yukunkun in Gemmayze (which last year closed its doors) hosted similar events, with groups such as the Beirut Groove Collective using the space in their earlier years. Yukunkun was also where local artists like Taleb and Ziad Moukarzel launched their DJing personas.

The Ballroom Blitz also has plans to host workshops featuring international and local talent, with the aim of educating those interested in sound production in the hopes that fans of electronic music scene will come and appreciate both the skill and creativity it takes to produce the sounds they love.

[/media-credit] The Ballroom Blitz—The Lobby

The Reunion room of the Grand Factory is also dedicated to widening the skills of local talent, as Lara Kays, project manager at The Grand Factory tells Executive, “We’ve hosted Ableton on software & hardware, Berlin producers CYRK who gave an intensive three day production workshop, and Gigmit to help our local artists look to get promoted in Europe, and have access to newer audiences.”

Beirut Electro Parade, meanwhile, is an electronic music label and international rendez-vous organized two days a year by artists from the underground scene in Lebanon, with an aim to promote the modern electronic music of Beirut and the region. The Paris-based label, founded by Hadi Zeidan, also aims to promote Lebanese talent to international audiences. Taleb performed in the past four editions, and this year more rising local electronic talent—like Kid Fourteen, a noise-pop duo made up of Khodor Ellaik and Karim Shamseddine, DJ Tala, who is also a resident DJ, partner, and creative director at The Grand Factory, and Jad Atoui, electronic musician who worked with American composer John Zorn in New York, and is also stage manager at The Ballroom Blitz—will showcase their work.

Recognizing talent

Line-ups for these kinds of clubs are typically handled a year in advance by their music directors, who scout out emerging talent at festivals, such as the DGTL festival that started off in Amsterdam and now has various locations, the Time Warp festival in Mannheim, Germany, and the Awakenings festival held throughout the Netherlands. “These key festivals are an index, a world wide index,” Saleh says.

Scouting also goes on in places like Ibiza, Spain, and Berlin, Germany, where the latest trends in the electronic scene and sound exploration take place. Saleh travels at least three times a year to help organize the line-up for both Gärten and Uberhaus first hand, other club owners do the same. And most club owners tell Executive that they hear some club-goers travel from Dubai and Cyprus to watch acts perform in Lebanon. Clubs like Uberhaus and The Ballroom Blitz also help promote the tourism market by dedicating a team to take their artists on a tour around Lebanon, usually sightseeing with a nice lunch in a small town by the sea.

The government, however, does not recognize local DJs as artists or even members of the hospitality sector. Lebanon has no syndicate for DJs as in other countries, like Germany and the US. “We tried to start a syndicate in the 90’s, but the government didn’t give us the approval,” says Dany Samaha, one of the first local DJs to break onto the scene.

Since there is no state support for their work, most local DJs tell Executive that the important thing to get your name out there is to network. Some argue that the time is ripe to try and formalize the industry, having the government recognise DJs as legitimate artists, creating a syndicate, and ensuring that DJs are fairly compensated for their work—the reality, however, is that there is little unity among local DJs to push for these changes, and little hope that such pressure would be effective on the political level.

BBX competition at the Reunion

Regardless of the lack of formal structures, more and more Lebanese are choosing to DJ on the side or full-time. Going rates for DJing vary depending on venue and experience, but in general the club owners Executive spoke with say that local DJs can pull in between $250-$800 per set, while international acts pull in no less than $5,000 with expenses, up to $10,000 depending on whether the DJ is a Class A, B, or C act.

Teething pains

The inevitable topic of harassment and drugs at electronic music venues is a challenge the electronic music industry faces. With all clubs fully aware of the correlation between this kind of music and recreational drugs, they ensure that their staff is appropriately trained to handle customers who are using at their venues. Club owners tell Executive that they do not condone drug use and try their best to identify when a deal is being made and act accordingly.

Marginalized communities can also often find a safe space at these venues. Beirut’s club scene has become one of the few spaces in the region that offer acceptance to members of the LGBTQ community. But harassment, in all its forms, be it sexual, physical, or verbal, is still an issue. The clubs Executive spoke with say that any incident should be reported to the bouncers or security guards at the venue. It is then up to the staff on that night to determine the response, with perpetrators being blacklisted from the club the most extreme measure owners take.

Teething pains aside, Lebanon’s electronic music scene is growing in strength, with more clubs opening and more support being offered to local talent from within the community itself. Beirut it seems, will continue bouncing its way up the list of top places to party, ensuring that of the few industries still thriving in this country, the business of nightlife and entertainment will continue to evolve.

April 8, 2019 0 comments
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InsuranceSpecial Feature

Health insurance in times of chronic diseases

by Thomas Schellen April 8, 2019
written by Thomas Schellen

For all the good that numbers can do for explaining economic and social trajectories, statistics provide limited utility. This is exacerbated into rapidly decreasing utility when social and economic issues are of immense complexity and have divergent, contradictory, or confusing data points attached to them. Things get even worse when an issue extends beyond economic or social relevance and enters the realm of the existential. In the juxtaposition of current data trends for chronic diseases and medical risk management efforts with the help of insurance, there is ample room for confusion.

In the tome of medical knowledge, there is much information about chronic diseases, especially cancer. The incident rates for the disease are rising globally in absolute numbers. According to the World Health Organization’s International Agency for Research on Cancer (IARC), the occurrence of the disease in 2018 was estimated at 18.1 million new cases and 9.6 million deaths. The risk of developing cancer during one’s lifetime is one for five in men and one for six in women, the IARC states.

However, there are figures suggesting a still frightening but more nuanced picture. According to new estimates published last month by the European Society for Medical Oncology, 1.4 million EU citizens will succumb to cancer in 2019. However, while this total represents an increase of 4.8 percent when compared with 2014, factoring in population increase and ageing over the same five-year period reveals that age-standardized death rates for cancer have overall been diminishing—by 6 percent for men and 4 percent for women.

When compared with the development trajectory of the disease from 31 years ago, the EU death toll of cancers between 1989 and 2019 would have been 5.3 million higher than it actually was. Theoretically, under unabated cancer trends from 1989, the burden of cancer deaths in 2019 could have been expected to reach well over 1.75 million people, 359,000 more than are now predicted for the year. So it appears that a combination of better understanding and avoidance of carcinogenic substances from dangerous particles to chemicals, improved advanced screening of populations for cancer risk, lifestyle adjustments, and advances in cancer treatment over the last 30 years have had a strongly positive impact on the progression of combating one of humanity’s historic scourges.

Lebanon, as Dr. Marwan Ghosn, professor and chairman of the hematology oncology department at the Saint Joseph University’s Faculty of Medicine, tells Executive, shows a total count of between 12,000 and 13,000 new incidents of cancer for the latest research year, 2016, by the count of the National Cancer Registry (NCR) at the Ministry of Public Health (MoPH), which Ghosn describes as one of the best in the Arab countries. According to him, the NCR data translates into an annual new cancer incident rate that is about half of what is being observed in the developed countries in Oceania and Europe that have the highest such rates.

As Ghosn explains further, the high medical cost inflation rates that are plaguing healthcare systems and public or private health insurance providers worldwide reflect a shift whereby highly-touted cancer treatment breakthroughs that allowed moving from bone marrow transplants to the administration of drugs in targeted therapies, which, on balance, were essentially cost-neutral at the time, have been followed by later achievements in the fields of targeted therapy and immunotherapy.

These scientific achievements have resulted in the ability of treating up to 40 percent of all cancers today with either targeted therapy or immunotherapy (predominantly the latter) but also contributed massively to medical cost inflation as the drugs used for them are several times more expensive and need to be administered for longer periods when compared to older treatment methods.

Moreover, Lebanon has a health system with practically full capacity for treating cancers. “For 98 percent of the patients and 98 percent of the medical situations, I can propose and perform an ideal treatment—in multidisciplinary fashion [meaning] perhaps not in one hospital and together with other physicians, because I will not do it alone. Using this multidisciplinary approach, 98 percent of the patients can be treated within the Lebanese system at a level that is up to international standards and comparable to best places in Europe or in the United States,” Ghosn says.

Concomitant with Ghosn’s observations of Lebanon’s moderate cancer rates and good treatment capacities are numbers compiled on the website of the World Cancer Research Fund, a non-profit that places Lebanon in 48th position out of 50 countries listed, with an overall incidence rate of 242.8 people per 100,000 population. For delving yet another notch deeper into the issue, observations for the years 2005, 2010, and 2015 are available in the MoPH NCR statistics.

The data displayed in the NCR graphs support the perception that cancers—in Lebanon as everywhere else—in their overwhelming majority are afflicting age groups from their 50s and onward, and men more than women. The numbers further suggest that the overall trend for new cancer cases in Lebanon is pointing upward but a) needs much detailed study and qualification of the data and b) that this data is morally, as well as practically, unsuitable as a vehicle for cheap populism or panic mongering.

But life is not the sum of average trends, average people, and average experiences. Thus the numerical story on the page of cancer incidence rates in Lebanon cannot hide the existential fact that no data point, however scary or apparently benign, can weigh up to the sensation of sitting—far too recently—in a condolence hall of a church in central Beirut and witnessing the traces of shock, grief, struggle, resolve, and coping on the faces of a family that just lost their daughter to cancer at an age when she should have been embarking on her career.  The existential questions that relate to chronic diseases and especially cancers to this day can not be encapsulated or even begun to be addressed by discussions of trends or statistics in the fight against the disease.

The medical pages of insurance

While medical insurance cannot protect against anyone’s risk of being afflicted by cancer, health insurance plays an important role in determining the country’s ability to cope with two aspects of medical development: first, to manage the increased cost burdens of diseases, and second, to incentivize and promote social shifts that can reduce risks of being afflicted by chronic diseases.

Like in the case of the numbers on cancer, the trends of development of medical insurance in Lebanon are very ambiguous. Although the national performance of the Lebanese healthcare system is amazingly—and to some surprisingly—strong (see Executive health report 2018), and although health insurance in particular last year outperformed other insurance lines in terms of growth momentum on the back of future-minded regulatory impulses (for more on the guaranteed renewability (GR) measures by the Insurance Control Commission (ICC) at the Ministry of Economy and Trade, see Executive insurance coverage August 2018), the picture of commercial health insurance in Lebanon in spring 2019 is far from exuberance or glory.

For Elie Nasnas, general manager of AXA Middle East Insurance, the main problem in the medical line is not, as one might expect, the notorious price competition in the overcrowded Lebanese insurance sector. “We have a major issue, and it is not the competition among our peers. This issue is the competition between the cost of health and the purchasing power of the Lebanese people. This [competition] is completely imbalanced,“ Nasnas tells Executive.

AXA is one of six insurance companies in Lebanon that together own about 60 percent of the market share pie in a sector that has 40 commercial insurers reporting medical business in their portfolios. According to data published for the fourth quarter of 2018 by the ICC, health insurance gross written premiums for the year-to-date 2018 at end of the fourth quarter reached LL770.3 billion ($508.8 million) and followed hot on the heels of the premiums for the life insurance sector with LL782.6 billion ($516.9 million). Life, medical, and, with some distance, motor insurance constitute around 83 percent of the insurance industry’s LL2.53 trillion in gross written premiums for 2018.

As the latest numbers published by the ICC indicate, the bottom 20 of the 40 insurance companies with medical portfolio content together account for not even LL50 billion ($33.2 million) in cumulative premiums—a combined market share in the 6 percent range of the health total. Some of the currently smaller players, such as Lebanon newcomer Cigna, an US health insurance specialist that in 2017 had taken over the license of Zurich Insurance Middle East, and local player Securite Assurance, which boosted its medical portfolio from LL750 million to just over LL2.2 billion year-on-year in Q4 2018 alone, however, are strongly performing in terms of growth and ambitions.

Around another 15 companies comprise the middle field in the market with numbers that testify to anything from their mainly insuring affiliated financial groups with sizeable headcounts for health, to standalone operators in more or less profitable market niches, such as Libano-Suisse Insurance whose numbers for 2017/18 show slight improvement from LL44.4 billion ($29.4 million) by end Q4 2017 to LL46.4 billion ($30.8 million) a year later, according to the ICC quarterly publications.

However, the picture at the top of the market where companies such as MedGulf, Bankers, Allianz-SNA, Fidelity, GroupMed Insurance, and AXA Middle East are writing health business in the range of $50 million and up (per company), is not unambiguous either. In this segment one finds several groups that have, by Lebanese standards, very large accounts from leading corporate conglomerates and professional orders or syndicates (such as the orders of engineers, lawyers, or physicians). Competition for such large accounts has long been quite intense in Lebanon and having $50 million and above in their medical portfolios for an insurer does not necessarily translate to being at the top in profitability. (All numbers cited above are for gross premiums).

Paula Abdelmassih, medical director at Libano-Suisse Insurance, attributes the uneven evolution of insurance markets in part to burdens that the newly introduced guaranteed renewability regulation imposed on commercial insurers but not on other stakeholders in the healthcare system. “Our coverage terms and conditions are reviewed annually, and sometimes one has to increase rates, change products, or take other steps to keep up with developments and follow up with new procedures and technologies applied in the coverage. When you as an insurer are today granting guaranteed renewability, this has an impact that must aways be calculated. GR is putting a lot of pressure on insurers, and we don’t think that the distribution of the GR burden is totally fair. The new GR requirement should not only target insurance companies, but also hospitals as they are charging commercial prices to insurers,” she tells Executive.

Her colleague Joyce Salameh, marketing and quality director at Libano-Suisse Insurance, explains that a new value-added service program introduced one year ago under the title Health Plus was mainly purposed to defend the insurer’s market position. “Because people lately have become very price sensitive, by introducing Health Plus we have created a marketing instrument to differentiate ourselves in the market. I cannot say that sales skyrocketed because of the [new value-added service]. This was okay as the purpose of Health Plus was to widen our service offerings. The feedback on the new services, and the way we handled cases, was very good. People were happy and impressed with what we did,” she says.

According to AXA’s Nasnas, the overall premiums growth seen by health insurance companies in 2018 could not make up for explosions in medical cost. “Many people [in the insurance industry] are afraid [to write] health insurance, and last year the results were awful. 2018 was an exceptional loss-making year, as the costs of new medicines exploded and we had twice the cases of cancer than in the year prior,” he says. Emphasizing his perception that the doubling of cancer incidents related to both case number and costs, he declares that he and fellow insurance leaders were asking themselves in shock what was happening last year. 

In Salameh’s words, the danger faced by insurance companies is to price themselves out of the small and price-inelastic Lebanese market. “We have to re-study pricing every year and have to pay claims, but if we re-study, we face the danger of pricing ourselves out of the market because of medical cost inflation, and because some people are treated at the expense of the paying insured,” she laments.

Enter the disruptors

Impulses to bring new vibrancy to the Lebanese health insurance market in these days come from players such as internationally renowned Cigna, which aims to increase its Lebanon portfolio by about 30 percent in the near term on the strength of its well-tailored product range, and local provider Securite, which banks on a combination of strong ethics, innovativeness—including tech—and service orientation.

As Raed Labaki, recently appointed as general manager of Cigna in Lebanon tells Executive, the company wants to initially attract corporate clients but also companies in the family enterprise and small to medium business communities. “Today we as Cigna Insurance Middle East are distributing our medical insurance products, which are tailor-made not only to international organizations and NGOs [with presence in Lebanon], but also to local groups and local companies. These can be corporate clients who qualify for our first product—and what we call corporate [are organizations with] 100 lives and above, ‘lives’ meaning employees and their dependents. This is our first product. Our second product is for [small and medium enterprises] and what we regard as SMEs in Lebanon are organizations where we insure between 25 and 100 lives,” he says.

For Anthony Khawam, deputy CEO of Securite Assurance, the formula for winning in medical begins with the pillars of innovation and service. Citing a host of catchy innovations that range from providing clients half a dollar of their monthly premium for every exercise mile that they run and capture on their Nike-plus app, to having created a term insurance policy—as a rider on medical or standalone—for paying a cash claim in case of terminal illness. As part of its medical cover, the insurer even promises two-year long waiving of premiums for a client family in case of the breadwinner’s death.

Besides building its service and innovation culture into a modern insurance enterprise, Securite also decided to transit out of services—commonly known as mutual insurance funds in Lebanon—that are not future-proof under the perspectives of the new guaranteed renewability regime in the Lebanese insurance field. “We decided to extensively limit our business in this mutual fund and shift business from this fund to the insurance, because we think that with the new GR regulation, it is not ethical to keep the client in a mutual fund where he cannot benefit from the new GR. We thus ethically and strategically decided to move them to our insurance,” Khawam explains.

The decision means that clients of the group’s existing mutual fund are asked to transition to a formally regulated health insurance cover when their existing one-year contracts expire, which implies that a portion of the growth achieved by the Securite’s health portfolio in last year’s fourth quarter was, in accounting terms, an extraordinary item.

Regardless of this and also regardless of the fact that the insurance market in Lebanon is both saturated with providers and difficult because of fragmentations and special interests, Khawam declares his confidence in Securite’s ability to continue growing strongly. “I am optimistic and not scared of competition at all, because I see everyone [in the market] as having their own play and way of doing things. We have differentiated ourselves in a way that is focused on service and innovation. I expect good growth in Securite’s medical business,” he says.

Cigna’s Labaki likewise professes his optimism. “Cigna looks at Lebanon as a strategic market for the Middle East because there is a large potential for growth in the Lebanese market. Even if this growth has been lower in recent years when compared with the years before, I note that health insurance in Lebanon has been growing ahead of other lines and is still higher than market-average growth,” he says.

As to the incentives that Cigna offers specifically to attract Lebanese enterprise clients, the company is offering SMEs perks that are usually reserved to much bigger organizations. “One of our strong selling points is that for SME in particular, we do write business on medical history-disregarded basis. [This means that] we are not asking them medical questions or [require] medical exams when we enroll them. This is a market practice that insurers usually offer only to large groups, but at Cigna we are also offering this to SMEs. This is something that is regarded as very positive by the market and by our distribution partners in Lebanon,” Labaki says.

Questioning economic motives

Although the scene of medical products offered by Lebanese insurers to their corporate and individual clients (Cigna wants to expand from group to individual offers in the country by end of this year) appear to be improving on wide fronts, overt and hidden questions loom in the multi-angular relations between insured, insurers, health services managers, and medical providers. Beyond the challenges to insurers’ profitability or disparate views of what might be reasonable profit margins for stakeholders in the medical insurance and healthcare system, such questions concern the perceived mentality of Lebanese clients.

Some of the insured seem to approach their health system with sentiments that can range from thinking that the better care is always on the other side of the fence—meaning that they believe care will be superior abroad, in developed regions such as Western Europe or the United States—to assumptions that the most important issue is impressing visiting relatives and friends with the calibre of their hospital rooms. Such predilections can influence decisions that wrongly limit medical plan selections, from not buying a local plan to focusing on the wrong priorities in checking a plan’s medical benefits.   

On the side of providers, universal tendencies to emphasize market justice and contractual agreements exist in the insurance industry as in any other economic entity that embraces its profit orientation. When these priorities clash with social expectations—which can happen easily in socially relevant areas such as healthcare—conflict potentials increase. “In terms of medical treatments, everything is available in Lebanon. However, sometimes it is a doctor who brings a medicine into the country, not the MoPH. In such cases, we as insurance have a problem because we do not deal with doctors. [Any medicine] must be approved and received by MoPH. I want to add that we often support medications if physicians start using them on basis of FDA approval even before such a medication receives the approval by the MoPH. But if a medication is not FDA approved, it is considered as experimental, and we as insurer are not covering it. Libano-Suisse cannot cover experimental. Under other circumstances, however, meaning when dealing with [FDA and MoPH] approved procedures and drugs, we are obliged to cover our clients’ treatments. We need proof that a drug is working,” clarifies Libano-Suisse’s Abdelmassih. 

From the medical side of the patient bed, this issue can look a bit different. As oncology specialist Ghosn tells Executive, “What does experimental mean in the treatment of cancer? As a physician, you have data on every drug that has already been produced and used on humans, even if this drug is not yet FDA approved. This is not an experimental treatment. This is a treatment that has already been discovered, and we [as medical professionals] know that it works because we have data. The [approval] process, which sometimes is merely an administrative process, has [perhaps] not been completed but such drugs are not seen as experimental. One can claim [in such cases] that the drug is experimental, but, in truth, experimental is when you [as doctor] think that you have discovered a drug and are using it on somebody, or if you want to treat a patient with a drug that has never been used on a patient and where no supportive data exist. I agree, however, that sometimes insurers in Lebanon will argue with you and say that a drug is experimental when it is off-label, which is something completely different.”

Inversely to the potentially conflicted perception issues of what procedure is proven, insurance providers tend to perceive the presence of economic motives with lacking or even fully absent ethics—instead of pure medical considerations—as drivers for costly decisions by medical stakeholders they deal with. For Ghosn, this is not an admissible argument, certainly not applicable in the Lebanese healthcare system where shortages in availability of hospital beds are far more common than oversupply of empty beds. “We need to think—and I don’t want to think in another way—that physicians are ethical and that in hospitals, there is no need to admit a patient if the patient does not need to be admitted,” he emphasizes.

Priority one: practicable solutions

In an age where life is enormously intertwined with the capitalist dogma that growth is the measure of all things and productivity the ultimate gauge of economic success, the occurrence of conflict potentials and need for their continual resolution in the administration of health services appears ubiquitous. The existence of economic motives among stakeholders in health certainly can neither be denied nor is likely to disappear in human social systems (short of a fundamental revolution against any and all social norms validated in history). If anyone seeks evidence today on how strong the economic motive has become in the healthcare industry, one just needs to throw a glance at the valuation of relevant companies in financial markets and take notice how, for a very recent example, the share price of a biotech stock in the US dropped by 29 percent in a single trading session last month when the company, Biogen, announced that clinical testing of a new Alzheimer’s drug was stopped because of the medicine’s apparent ineffectiveness.    

Lebanese stakeholders in future medical systems are exposed to global pressures and uncertainties in such healthcare systems only remotely and indirectly but there is much reason to emphasize that societies are today in desperate need for new economic, regulatory, social, and ethical answers for addressing tomorrow’s healthcare needs in all their increasing complexities. 

Instead of theorizing, this means coming up with practical approaches and testing them. As Elie Nasnas of AXA puts it, the danger of fundamentally unequal healthcare provision for rich and poor must be addressed in Lebanon today. “I think it is high time for all players in the health sector, i.e. hospitals, providers of paramedical, doctors, and insurance companies to either work as partners or see the private healthcare collapse. People cannot sustain such costs,” he says, continuing with passion, “I would really call for all players in the sector around health to be conscious that if there is no partnership, there won’t be any future, we are running into a deep crisis. We all should be very much aware of this.”

From the medical side, Ghosn says, “I think that the prices of new drugs such as cancer drugs brought to market from recent research will drop in future, and these prices have already been dropping. I can cite here the experience of the world’s international cancer centers, such as exist in France or the United States. I also want to point out that in these centers, there are funds or foundations that have been created only to support patients that need those expensive medications. Thus, when patients come who need this or that expensive drug and who are in this or that situation—depending on their situations—it is not anymore the government that pays in France or the insurance that pays in the US, but the funds that have been created in each cancer center who support these very expensive drugs.” Citing examples for dedicated cancer funds from the Memorial Sloan Kettering Cancer Center in New York and Institut Gustave Roussy Cancer Center in Villejuif, France where he trained, Ghosn suggests, “Perhaps [following this model] might be the way in Lebanon where insurance companies might all together raise a fund to support their patients. I propose that it would be a good idea to create very nice, transparent funds between NGOs, the government, and insurance companies, with scientific boards who can select patients on scientific basis and set the conditions under which patients can take advantage of these funds. This might help both the companies and the patients, because they will achieve cuts of bills.”

April 8, 2019 0 comments
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Economics & PolicyVenezuelan connection

Crisis-struck Venezuelans turning to Lebanon

by Lauren Holtmeier April 8, 2019
written by Lauren Holtmeier

Venezuela teeters on the brink of further deterioration from years of political and economic instability. With self-proclaimed interim president Juan Guiado on one side standing in opposition to current president Nicolas Maduro, the county’s future is uncertain. As with most modern conflicts, what happens in Venezuela has global implications, and this Latin American crisis may even touch as far as Lebanon.

Hyperinflation, food and medicine shortages, rising crime rates, and a progressively authoritarian government, have caused many to flee Venezuela over the past few years. Most of those who fled have sought refuge in neighboring countries; according to a report by thinktank Council on Foreign Relations, as of last January there were around 3.4 million Venezuelan refugees and migrants—up from just 0.7 million in 2015—with Colombia hosting the most refugees at 1.1 million and Peru, Chile, Ecuador, Argentina, and the US also receiving sizeable numbers. And because of generation-old links between the countries, an increasing number of Venezuelans, as a result of conflict, are choosing to move to Lebanon, reversing the migration patterns of prior decades where Lebanese fled conflict at home and made their new homes in Latin America.

Long-established ties

The initial Lebanese link in Venezuela dates to 1861, when the first recorded migrant from Lebanon arrived in Venezuela. Years of conflict in Lebanon served as the primary driver of emigration, says Colin P. Clarke, an adjunct political scientist at RAND Corporation, an American nonprofit thinktank. During Lebanon’s 15-year civil war, many left Lebanon, settling around the globe. “In Venezuela, a lot of them were connected to the business and merchant community,” Clarke says. “They were making money and sending it home to Lebanon.” Over the last 100 years, scores of Lebanese have gone to join their extended families in different Latin American countries, including Venezuela. And, in parallel, migration flows have come from Latin America to Lebanon as well.

The Venezuelan Embassy in Lebanon says they have around 11,000 Venezuelans currently registered, but the actual number is likely to be much higher. Factor in those with Venezuelan ancestry who have lived in Latin America but do not have the Venezuelan passport—like Riad Abou Iteif, the owner of the popular Hamra restaurant Ferdinand’s—and the number climbs even higher.

Iteif and Amir Richani—a political analyst at ClipperData, a crude oil movement data and analysis firm, and a Venezuelan of Lebanese ancestry now living in Lebanon—share similar family histories. Richani’s mother’s great-great-grandfather was Latin American, but came to Lebanon three generations go, and later generations made the trip back to Venezuela. “I think they chose [Venezuela] because there was a large population of Lebanese there already,” he says.

He says his mother’s family, who moved to Venezuela during the Lebanese Civil War, were merchants, working in the calle, or street, selling furniture. “A lot of Lebanese there were merchants” he says, echoing Clarke. Highlighting the shared migration between the countries, Richani’s grandparents in Valencia, Venezuela, moved to Lebanon in the mid-2000s. As the situation deteriorated in Venezuela, more members of his extended family followed. “It was an extended family decision to come,” Richani, who arrived in Lebanon in 2010 with his brother and mother, says. His father stayed in Venezuela to look after the family construction businesses.

Itief’s family, who works in the automotive industry, had similar concerns about leaving Venezuela. “Some were afraid to come back because of their shops and the situation there,” he says. “They didn’t want to leave everything they had worked for.”

Itief’s family, originally from the Bekaa Valley, moved to Maracaibo, Venezuela in the late 1970s, where family members helped his dad open a spare automotive parts shop. His paternal grandfather’s family moved to Venezuela in 1974 and worked as merchants, selling clothes on the street. But he spent only six years in Latin America as a young child before returning to Beirut, eventually taking over Ferninand’s in 2012, and recently opening Meats and Bread in Gemmayze in 2017.

A growing trend?

The trade of human capital and money between the countries has occurred for generations. Richani explains that remittances, money sent from abroad, were typically sent from Venezuela to Lebanon. Now, that trend has reversed. “Venezuela had strict controls over foreign exchange, meaning you could not buy US dollars, so you had a lot of black market business,” Richani says. “People would buy dollars on the black market and then send them to other countries. Now it’s the opposite. A lot of Venezuelans have left the country, and the currency is devaluating rapidly.”

While the exact economic impact of migration and remittances sent between countries is nearly impossible to estimate, the shift of Lebanon as a sending country to a receiving country potentially has economic impacts, especially if others, like Iteif, open businesses in Lebanon. Media reports cite the number of Lebanese citizens and descendants in Venezuela at 800,000 (the Lebanese Embassy in Caracas did not respond to a request to confirm this number). With Venezuela’s future still uncertain, it is likely that more will follow suit and join their extended families in Lebanon.

April 8, 2019 0 comments
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CommentEconomics & Policy

Rethinking social entrepreneurship

by Carmen Geha April 5, 2019
written by Carmen Geha

January’s Mashreq Conference on Women’s Economic Empowerment was a welcome initiative at a time where socio-economic conditions for women in Lebanon are dire. In addition to a discriminatory legal, political, and social environment, women continue to make up less than 25 percent of the labor force, according to 2018 World Bank estimates. Donor pledges to support women’s economic empowerment are a huge opportunity, but efforts to fund empowering programs often ignore core issues at the heart of Lebanon’s economy. A big concern is the encroachment of social entrepreneurship as a one-size-fits-all approach to women’s roles in the economy. As an emerging terminology into the entrepreneurship ecosystem, it tells women the sky is the limit, but in reality allows the government to shirk its responsibilities while trapping women in a model that has not proven itself to be sustainable.

What social entrepreneurship is—and is not

Broadly defined social entrepreneurship is an approach to solving socio-economic problems through sustainable income-generating tools. The entrepreneurship ecosystem in Lebanon has focused some of its efforts on promoting social enterprises through incubators and other programs targeting women in both urban and rural settings. But such programs often leave the government on the sideline and focus more on the logic that women themselves need to create their own economic opportunities. That is not to say there are no success stories; notably Soufra (Full Table), a food truck run by Palestinian women in the Burj al-Barajneh refugee camp, the documentary of which was recently screened in Beirut and followed the story of its founder, Palestinian refugee Maryam Shaar.

Shaar’s story is not an unfamiliar one; countless women in Lebanon have been driven to set up small businesses to survive, including my own grandmother, a Palestinian refugee who set up her own grocery store to feed her seven children and provide jobs for her community at the brink of the civil war. Social enterprise is simply the new watch-word that development donors have decided to use to label the inherent ability of women to be versatile and creative in times of distress. But social entrepreneurship is not—nor should it be—the main strategy for economically empowering women.

The lessons from Soufra’s success

Soufra’s model pushes us to think of structures of financing and opportunities to integrate women in the formal economy in three ways. First, Soufra is funded via Alfanar, an Arab venture philanthropy. This means that Soufra has actual investors who expect a return on their investment, whereas the overwhelming majority of funding to the Lebanese social entrepreneurship ecosystem is via foreign donors. This is reminiscent of the 1990s/early 2000s, when NGOs in Lebanon mushroomed without improved governance. Instead, these NGOs filled the gap in service provision, letting the state off the hook. Social enterprises do the same to women: they make for nice photo-ops with donor agencies, create temporary jobs, and allow the state to shirk its responsibilities—eventually the funding will run out. 

Second, social entrepreneurship does not effectively provide women with sustainable jobs because it does nothing to address structural market inequalities. Sexual harassment, wage inequality, gender-based violence, and political marginalization are just some of the reason why women in Lebanon do not work—or work but do not reach managerial positions. Social enterprises create parallel alternative economic models that last as long as income keeps coming in, but which collapse the moment the initial success wanes off. There is almost no data and little evidence that social enterprises can last longer than the initial round of seed funding.

Third, the main players setting criteria for and supporting social enterprises have no relevant experience and expertise. It is not people like Shaar, nor like my grandma, running these programs. Few of the organizations championing social entrepreneurship for women are actually social enterprises themselves or are headed by women. These approaches tend to leave out the contextual factors that make the Lebanese workforce especially difficult for women. There are cultural, societal, and political intricacies that cannot be solved using a textbook based on outside experiences. They need to be addressed by transforming the workplace to be more equitable to young women, working mothers, disabled women, and elderly women.

Rethinking the approach

Not all social enterprises are without merit, but to truly encourage women to enter the workforce we need to talk about the role of the state in social justice. The pressure should be on government to play a more direct role in making businesses more inclusive. The private sector and civil society should not wait on the government forever, but sidelining the role of legislation and policymaking, while Lebanon continues to receive foreign funding will not yield sustainable results. There have been similar experiences with previous Paris donor conferences, and it may occur yet again with the CEDRE pledges. The onus should not be on women themselves to improve their economic conditions because this will exclude the majority of women whose efforts do not go under the label of social entrepreneurship. It excludes women fighting inside their workers’ unions for better access to social security, it excludes women facing harassment at work, it excludes refugee women and migrant workers. The way to empower women is to fix Lebanon’s endemic economic problems, not to create temporary solutions.

April 5, 2019 0 comments
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CommentEconomics & Policy

Preserving Lebanon’s water resources requires multisectoral collaboration

by Assaad Saadeh April 5, 2019
written by Assaad Saadeh

In winter, Lebanon seems to have an abundance of rainfall. When the rainy season is over, however, the country’s traffic woes are often compounded by large tankers blocking roads as they supply buildings with water.

Lebanon is rich in water resources, but these are replenished seasonally,  through rain and snow that generally falls between October and April. With improved management, there is the potential to significantly enhance water storage, preserving the water supply for use during dry summer seasons and occasional droughts. Improving water collection and storage is not a difficult task, and one made easier with multisectoral collaboration.

Water gained, water lost

A 2001-2002 State of the Environment report by the Ministry of the Environment (MoE) presented the worst case scenario for Lebanon’s water supply: On average, yearly precipitation in Lebanon results in 8,600 million cubic meters (Mm3) of water, feeding 40 major streams and rivers, including 17 perennial rivers, and more than 2,000 springs. Of that, approximately 50 percent gets lost through evapotranspiration—the process by which soil loses moisture via a combination of evaporation and plant transpiration. Additional losses stem from surface water flows to neighboring countries, estimated by the Litani River Authority to represent almost 8 percent, and groundwater seepage estimated at 12 percent. This leaves Lebanon with 2,600 Mm3 of surface and groundwater, of which 2,000 Mm3 is deemed exploitable and available for supply. This is not far off 2014 estimates from the United Nations Development Program where Lebanon’s water balance in a dry year was estimated at 2,140 Mm3.

With the Ministry of Electricity and Water (MoEW) expecting the country’s total annual demand for water to increase to 1,802 Mm3 by 2035, Lebanon, in theory, has more than enough water available to supply anticipated demands for at least the next 15 years. However, local natural water availability is seasonal, and currently there are not enough water storage tools in place to avoid water shortages during summer droughts. This needs to change.

One prime example of a multisectoral water stewardship initiative to secure future water supply was set up following recommendations from a study on groundwater management in the Shouf Biosphere Reserve—The 2017 Groundwater Assessment of the Shouf Biosphere Reserve (SBR)-Lebanon. The report, prepared by global environmental consulting group Antea, in collaboration with Nestlé Waters, found that the area’s overall groundwater balance was positive, by around 12 Mm3 per year, but noted important seasonal water fluctuations as well as high impacts from climate change and human activities.

A multisectoral partnership involving water authorities, farmers, the private sector, the Shouf Biosphere Reserve, the MoEW, the MoE, municipalities, and others, was established to tackle the issue and is already beginning to help the reserve successfully enhance the recharge of natural groundwater reservoirs in the area during the rainy season. Through the use of retaining walls (micro dams in the valleys) and terraces that increase water infiltration, among other tools, the partnership aims to reduce the impact of summer droughts. Such recharge techniques enhance water infiltration into underground natural water reservoirs and can be good alternatives to dams, especially in karstic/fractured geological contexts, as they help store river and runoff water that otherwise flows naturally toward the sea and is lost during the rainy season.

A model to replicate

A full action plan recommended by the study’s authors has been underway since October 2018, aiming to improve the quantity and quality of water supply in the area. Its key recommendation—to improve water storage—needs to be rolled out across the country using varying methods dependent on a given area’s geological, environmental, and social needs. For example, if an area’s surface rocks are fractured and include faults and cracks, underground storage is preferred over surface water storage, whereas if surface rocks are impermeable and can store water easily, surface water dams are worth considering.

Other recommendations from the study include: to continue monitoring water resources in the watershed and improving the existing database; to improve protection around municipal springs and water wells, as well as their hygienic design to guarantee better water quality; to further reduce leakages from municipal networks and piping; to engage with farmers to introduce best irrigation practices; to promote the building of small reservoirs for irrigation on the catchments of Damour, Bisri/Awali, and Beirut rivers; and to form a steering committee of major stakeholders.

In a nutshell, water storage in winter is vital to mitigate summer droughts even during a wet year such as this one, where the registered rainfall amounts until end March were almost double the usual yearly average.

Actions being implemented at the Shouf Biosphere Reserve in collaboration with other water management stakeholders can serve as a model to be replicated in other water basins around the country in order to improve local water resource management. This is especially pertinent, given the collaboration is in line with the water code that was ratified in June 2018, which supports multisectoral collaboration.

The reality is that collaboration between multiple sectors is needed and can be easily established to ensure that water is stored during rainy periods, either on the surface by building well-planned eco-friendly dams, or underground by enhancing water infiltration to replenish groundwater reservoirs and springs.

More initiatives can and should be launched across Lebanon, each tailored to suit the geological, environmental, and social needs of different areas of the country: All they need is multisectoral collaboration.

April 5, 2019 0 comments
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Economics & PolicyFiscal policy

Public finances reach Court of Audit

by Nicolas Melki April 5, 2019
written by Nicolas Melki

On April 6, 2018, at CEDRE, donor countries pledged $10.2 billion in loans and $860 million in grants to Lebanon to fund long-awaited infrastructure projects in the country. However, the donor countries and organizations require of Lebanon a long list of fiscal, structural, and sectoral reforms in order to release the funds, of which anti-corruption measures are a part.

Desire to free up CEDRE funding is one of the main reasons behind the recent surge of corruption accusations flying back and forth between political parties. Everyone seems to be pointing fingers at each other to slingshot the blame over the not-so-latent corruption that post-war Lebanon has suffered to date. Ultimately, only one pointed finger will matter in terms of accountability, that of the Court of Audit.

Overseeing public funds

The Court of Audit is an administrative tribunal with financial jurisdiction that oversees the management of public funds; it is the highest financial tribunal in Lebanon. The court is composed of judges, controllers, and account auditors as well as an independent public prosecutor. The Court of Audit exercises both (i) administrative and (ii) judicial controls on the state administration, certain municipalities and public enterprises, and institutions and associations funded by the state.

The Court of Audit’s administrative control is twofold: A prior control to approve the use of public funds in specific projects/transactions and a subsequent control to confirm the proper use of these funds. The Court of Audit prepares annual reports with their findings on public spending.

The Court of Audit’s judicial control enables it to prosecute public officials if the court attributes any misuse of public funds to their actions. Such prosecution can only amount to fines if proceedings are brought forward before the court. That said, the Court of Audit can chose to transfer the proceedings to the applicable criminal tribunal if criminal charges are brought against a public official in relation to their misuse of public funds. The concerned official could then face a prison sentence.

Mission impossible?

The Court of Audit typically audits public accounts and submits an audit report to Parliament that votes to approve the public spending of a given calendar year. This procedure is paramount to ensure a proper control on public finances and to confirm the proper execution of the annual public budget. It also constitutes a condition precedent for the Parliament to vote on the annual budget. Since 1993 the Court of Audit has been publishing its annual reports based on incomplete information and documents provided to it by the government (it was exempted in 1995 from its constitutional duties for the years of the civil war, and then for the years 1991/2 in 2006, due to the impossibility of compiling the relevant documents). Moreover, until the 2017 budget, Parliament had last voted on the budget in 2005.

Pierre Duquesne, the French diplomat monitoring the reform progress after CEDRE, stated in early March that the 2019 budget had to be adopted by Parliament as soon as possible. Arguably this pressure is what led the Ministry of Finance to finally hand over all the statements and documents necessary for the Court of Audit to audit the public accounts starting from 1993 until 2017. The mission assigned to the Court of Audit is twofold: First, it must prepare the statement of accounts for 2017 to enable the Parliament to vote on the statement and discharge the government for the public spending of that year and simultaneously approve the budget for the year 2019 (this audit of 2017 is late, it should have taken place in 2018; likewise the audit of 2018’s spending is due this year.) Second, the court must examine the use of public funds from 1993 up until 2017—a task that will take two months to complete, according to sources in the court. 

In order for the court to function as intended, and not just when it is politically expedient, certain things must change. First and foremost, the court should be sent all the  necessary documents every year without fail and in time for it pursue its review process. In the past, this process has been disrupted, with instances of documents that were either lost, altered or destroyed. To minimize these risks, the Court of Audit should be provided with a fully digitized, comprehensive platform where data transfers and documents submissions can take place. This will result in a faster, more comprehensive, and more transparent audit process.

Fighting corruption starts at the very top of the pyramid. Being one of the few institutions capable of sanctioning corruption, the Court of Audit needs to be fully functional in order to efficiently assist in the fight against corruption. It remains to be seen if this effort is a one-off exclusively aimed at receiving the funds promised at the CEDRE conference or if it signals the beginning of the end of corruption in Lebanon.

April 5, 2019 0 comments
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DesignDesign thinkingSpecial Report

Is design the winning ingredient in tackling Lebanon’s public sector restructuring?

by Thomas Schellen April 5, 2019
written by Thomas Schellen

At any meeting these days, from academic circles to business and banking conferences, one is likely to hear more than one allusion to Lebanon’s reform challenges. Much more. Whether it is the pesky theme of electricity or the issue of fiscal and structural reforms in the public sector, the big questions that matter today are all about how.

Although Lebanon progressed painfully to finding its new government—something that seems to have almost been forgotten in some circles in the relatively short time since the ascension of this new administration—a myriad of problems are now maturing from the worry if reforms will ever happen, to the more pertinent question of how these reforms can be done.

One pressing “how-question” seems to have an underappreciated design answer. This is the question of how to tackle reforming the public sector into a citizen-centric sphere. Is it enough to compel all administrative units in Lebanon to digitize? Will transitioning from paper-based public processes—that sometimes requires days of roaming some of the country’s most fascinating corridors and offices with all the appeal of worn-out interiors from the days of the early republic—to electronic databases and files on computers suffice to upgrade public services at ministries to something that deserves the label “e-government”? 

If any doubts were to linger in citizens’ minds about the feasibility of such a solution, design may be a big part of all more viable answers and provide better approaches, say Lebanese design specialists with expertise on multi-tiered levels of conceptual and specific approaches.

Digitizing the public sector in the sense of implementing electronic networks will not achieve any deep transformation, says Loubna Ibrahim, product and innovation lab lead at Ideatolife, a regional consultancy of developers and designers that is focused on technology-and-people-centered software solutions. From a human-centric design perspective, technology is not the main issue. “We have to focus on end-users and understand problems from a human perspective. This is the core aspect of design thinking and everything follows from this user centric approach. It is all about understanding humans, and then designing for humans,” she tells Executive.

The human approach

As Ibrahim explains, this prime mandate of understanding the humans involved in any digital transformation of public sector units in Lebanon means that such transformations need to start small and proceed incrementally. “Transformation does not come overnight and one needs to take it one step at a time,” she says. 

On the reasoning that people are fundamentally afraid of change and often consciously or subconsciously afraid of technology and so hesitant to adopt unfamiliar technology, Ibrahim further advises that not only would the digital transformation of the public sector in Lebanon have to start small, but also that the solution for digitization would have to be different in every public sector organization and heavily involve the persons in every specific organization. “People in the public sector entities will have to co-create the solutions, because they are the ones who know the issues,” she says. 

While some digitization progress has been made in Lebanon’s public sector units over recent months—especially since the new government’s arrival—and challenges related to issues such as basic infrastructure and partially wanting digital literacy in the country are on the mend, the obstacles to a complete digital transformation do not end there, says growth strategist Georges Abi Aad.

“We are not convinced that digitization is at the core of digital transformation of the government, because the first thing is to design the process. Processes tend to be outdated and serve agendas more than citizens. Before digitizing them, we need to look at processes and redesign them from scratch, because if you digitize a flawed process, it [still] will be flawed. However, if a successful process is digitized, it has the chance to succeed on larger scale,” he tells Executive.

Abi Aad works with Birdhaus, a Lebanon-based agency in the commercial communications sphere that seeks to twin client’s marketing and sales efforts through “novel marketing practices.” With the statement, Birdhaus hints at its integrated online (coding) and enterprise-engulfing marketing approach that is also described in the business by nine-year old buzzword of ‘growth hacking.’ In the context of digital transformation, a known focus of growth hacking is on rapid digital-world growth of organizations that are tight on economic resources. In its work, Birdhaus furthermore uses human-centric design concepts for online interaction that have in recent years been promoted in the digital communications media sector as UX and UI (user experience and user interface) design.

When applied to public sector administrations in Lebanon, such design will require a process that takes into account the needs of civil servants as well as be citizen-centric, chimes in Abi Aad’s colleague Marilynn Bou Habib, who is a UX/UI designer at Birdhaus. “To provide high-quality services through digitized systems, the public sector needs to have incentives for providing high-quality services and on the other end, the citizen needs to know the problems,” she says.

According to these two professionals, barriers to achieving true digital transformation in the Lebanese public sector must be expected in form of resistance and pushbacks because of the same basic human fears that Ibrahim had referenced. They also concur that political buy-ins by stakeholders and participants on different levels of a public sector entity and incentivization of all their involvement will be necessary.

Furthermore, according to Abi Aad it is a paradigm of UX design to boost the transparency of the process that is designed or redesigned. Initiation of such transparency—which Abi Aad describes as “presently completely absent” from public sector processes in the country—will reveal many layers of opacity that today exist in the public realm, adds Birdhaus Director Karen Abi Saab.

“Processes need to become more transparent as citizens are informed what they need to do throughout the entire process [of interacting with a public entity] whereas today citizens are told from one step to the next [what they have to do] and have no visibility of the whole process. It thus is an important step in digitization of public processes to have the public know the entire process,” she says.

The right people on board

It is revealed in course of a wide-ranging discussion with the team of Birdhaus and its parent company, Flag M Group, that they had encountered a further barrier of  unfavorable mindsets toward its efforts to launch a mobile app with UX design inputs that would have been conducive to public sector digital transformation on the municipal level of in Lebanon. Embarking on the app’s development about two years ago (shortly after municipal elections in Lebanon and in parallel with work which the group did for two public sector entities in the United Arab Emirates), Flag M invested into the project on its own initiative under the notion that the mobile app might appeal to municipalities in the area of Keserwan and Metn.

The group approached several municipalities with the app that included features designed to improve communication between municipal authorities and their residents as well as elements such as an emergency connection button to police, but found that the municipalities were more interested in promoting their achievements than in communicating with residents. “The project got stuck because of a big lack of awareness [in the approached municipalities as to] why [they should want to] enhance the user experiences of the people,” explains Firas Mghames, the CEO of Flag M Group.

As one lesson of the experience, the team of Flag M and Birdhaus concluded that top-down buy-in will be required in Lebanon to achieve acceptance of digital transformation initiatives and that, moreover, the context for such efforts must be very conducive from political and budgetary angles. Municipalities that struggled to deliver basic services to their residents might not have been the best targets for digital transformation, Abi Aad observes.

However, while there are undeniable barriers that will have to be overcome on all levels when digital transformation of public sector entities is tackled, there are even more compelling upsides. The success of the effort of redesigning, from scratch, the interactions between citizens and their administrations in Lebanon would be likely to unleash significant cost savings in different ministries and administrative units. Examples from private sector experience in the region hint that the size of potential savings, which would range from paper needs to time wastage of citizens and also to more productive use of employee time in the units, will be huge, even as they today cannot even be properly estimated. Moreover, as Ideatolife’s Ibrahim points out, employing human-centric design methodologies —also called “design thinking”—will be a sort of dual speed process that can be initiated fast and rapidly show first results, even if years may be needed to produce the full results of the transformation process by design.

“When we work on digital transformation strategies with enterprises, we plan a five-to-seven year strategy but a country like Lebanon might need more like ten years,” says Ibrahim, but then emphasizes that, “changes will start to happen after the first six months.” As she explains, some six weeks after its start, the process would see the creation of first solutions on basis of user research that would thereafter be user tested and incrementally as well as continuously improved, with tangible outcomes. “If it takes more than three months to implement a solution, something is wrong,” she says.

For Maroun Sarrouh, board advisor at Flag M Group, Lebanon today is indeed primed to accomplish fast progress of its reform process and digital transformation. Based on fortuitous ending of regional conflict and economic bust cycles in conjunction with the external pressures and internal determinations of the current time, he sees the course set for reforms. He says, “Historically, when a decision in Lebanon is taken and covered, it is implemented. What is beautiful about this country is its ability to adapt and adapt very rapidly, because of the presence of its huge human capital. With the amelioration of the political/economic environment, I really think that all the ambitious projects that have been left in drawers for so many reasons, will now just pop into existence. Change can happen and it may be slow at first but then grow exponentially.”

April 5, 2019 0 comments
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Artisnal craftsDesignSpecial Report

Traditional handicrafts in Lebanon

by Lauren Holtmeier April 5, 2019
written by Lauren Holtmeier

Carpets, cutlery, glass, soap, furniture—these traditional Lebanese crafts have a valued place in the country’s—and the region’s—history. Industrial development in the last half of the 20th century has, inevitably, affected Lebanon’s traditional artisans. One the one hand, it has driven demand down for artisanal crafts that are usually more expensive than mass-produced imports. On the other, for local artisans who have weathered weary economic waters, access to a new global market has been made easier, a result of improved online marketplaces, social media, and internet-based communication. There are also multiple initiatives underway in Lebanon that seek to ensure Lebanese artisans find their place in increasingly crowded local and global markets. For traditional artisan crafts in particular, local and international organizations have worked to improve their sustainability by providing technical, industrial, design, and marketing support, and by providing a place for craftsmen to market their goods.

Sustaining markets

The United Nations Industrial Development Organization (UNIDO) and L’artisan du Liban are two organizations that have helped keep Lebanese artisanry alive by providing production support, serving as design catalysts, and offering a place for local craftsmen to market their wares. Established in 1979, L’artisan du Liban was Lebanon’s first social enterprise, and it sought to keep artisans active and safekeep artistry and heritage by providing local craftspeople a marketplace for their goods. UNIDO has been active in Lebanon since 1989, and supports sustainable development across multiple sectors, including its work with craftspeople. Both organizations have played similar, but distinct, roles in sustaining local artisanry.

Despite a strong history of design generation and export in Lebanon, recent economic stagnation has made it difficult for some traditional artisans to compete with cheaper imports from places like China. For example, where 10 years ago there were several glassblowers in Lebanon, today only one family, the Khalifehs in Sarafand, remain. The period between 2011 and 2018 marked a 37 percent increase in imported glass and glassware, according to data by Blominvest Bank, with which Lebanese glassblowers had to compete.

Artisans across the handicraft spectrum have had to adjust to shifting market trends and find new ways to make their products attractive to consumers in a modern market. Driven, in part, by shifting market trends and demands, artisans have used several tactics to stay ahead of the game, from introducing subtle, more modern-looking design twists, to adopting new materials and packaging methods to make traditional goods more marketable.

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The rapidity of changing trends, a clientele more aware of global trends and buying options, and the combination of rising ease of travel and digital advancements have accounted for the largest market shifts, says Hadi Maktabi, owner and curator of Hadi Maktabi carpets, who holds a PhD in Islamic Art from Oxford. Difficulty in identifying a unified “Lebanese taste” has also made marketing to a local audience challenging. And it is in this climate that producers and artisans must decide which model they want to adopt, whether that be identifying a niche within a larger market and catering to it, or following the “supermarket model,” which Maktabi defines as being largely mass-produced, cheaper wares made abroad that appeal to a broad audience (think IKEA).

“Fifteen years ago, it was the supermarket model, and you had five to 10 big dealers who catered to everything,” Maktabi says, referring to the carpet industry. He argues that where trends in the 1990s shifted every 10 years or so, recently they have begun changing every two to five years.

The advent of the internet and improved digital marketplaces have sped up the introduction of new styles over the last 20 years. Rapidly growing global markets also meant the Lebanese market was flooded with more affordable, modern products that were designed in Europe, but were produced in places with cheap labor supply. “Most people working on this [supermarket model] side are dealing with products mass produced in China and India, and then selling them here,” Maktabi says. “But what they’re selling now is not craft, it’s just a product.”

Carve out a niche

Now, within the last few years, more have tried to carve out a niche in a crowded market—like Maktabi’s focus on antique carpets and textiles—specializing in providing a specific product. Complicating the matter, on the local front, he argues, is the rising European influence and the need for the Lebanese to find their place within that trend. Even local geographical considerations play a role in this. “Drive a few kilometers south of Beirut, and it’s like entering a different time period,” Maktabi says. Torn between the occidental and oriental, this clash of cultures has made designers and artisans alike, who choose to follow the niche market approach, have to define a narrow target audience.

But those specialists, specifically some traditional artisans, have needed help finding a viable market for their niche crafts. A few kilometers south of Beirut, Houssam Outabashi is found in Ouzai with multiple workshops lining the street. Here, Outabashi, a master in traditional marquetry and inlay techniques, can look at a piece of mother of pearl and name its country of origin by its color. Marquetry is a process by which small pieces of different types of wood are bundled to form a pattern, and then shaved in thin layers, while inlay design is a process in which chunks of wood are carved out and replaced with the shimmery pieces cut from sheets of Mother of Pearl to create intricate designs.

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Outabashi specializes in the traditional styles of his craft, however, he has started modernizing some of his designs. L’artisan du Liban has provided him with support to help preserve his craft, which goes back as far as the 1800s through generations of his family. Nour Najm, creative director of L’artisan du Liban, says they work with Outabashi, designing objects that Outabashi creates by hand and then are sold in L’artisan du Liban store.

Further south in Sarafand, L’artisan similarly works with the Khalifeh family who create glassware out of recycled glass—which in a country that has an excess of garbage, is remarkable. The Khalifeh’s only turn on the oven five to six times a year, but can turn it on up to 10 times when there is an order to be filled—otherwise it is a resource drain. When it is on, six to eight people work in shifts around the clock for 15-20 days to fill an order. Najm says L’artisan makes sure to place a large order with the Khalifeh’s each time they turn on the oven.

In the small, run-down warehouse where the Khalifeh family makes their glass, Najm is thinking about what she can do to give the glassware a modern twist—for her, the answer is color. With colored glass she bought from the US, the glassblowers are experimenting with different techniques to potentially incorporate color into their traditional designs. Najm says they have introduced a lot of small details to modernize traditional designs and help make them competitive in today’s markets. “Small twists change everything,” she says.

Reimagining the craft

UNIDO has also worked with local craftsmen to help them update traditional designs and help artisans peddle their crafts. For example, UNIDO worked with Jezzine cutlery craftspeople—as well as local soap makers and tark el-fouda (embroidery) craftspeople—to help them modernize designs and industrialize production. Two years ago, UNIDO launched a program in partnership with the Ministry of Industry and funded by the Austrian government to help preserve traditional artisanry and improve livelihoods of artisans in these sectors, says Nada Barakat, national project coordinator at UNIDO.

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Jezzine cutlery, for example, was once thought of as a gift that sat in a wooden box unused; the product had to be re-imagined into something people would by to use and enjoy. Barakat stressed the importance of marketing: they did away with the old wood box and started packaging the sets in cardboard, which cut down costs and made the sets more practical. To better market the soap, they did the opposite and introduced an attractive olive wooden box as packaging. Jezzine cutlery, which was traditionally made out of olive wood and featured bird-like motifs on the handles is now sometimes made out of resin, but maintains the older features with a modern edge. Creating the mold for the resin-based handles made the production process and end-product marginally cheaper, but consumers can still buy the cutlery with the traditional wooden handles as well.

Barakat says that while the collection is primarily available to local markets, negotiations are underway with Coincasa, an Italian retail outlet, to market the collection there. L’artisan du Liban has a slightly larger global reach with their online store that opened last year. Najm says that less than 10 percent of their sales are global, but they have clients all over Europe and in the US, and they attend yearly trade fairs in Paris.

Both entities—UNIDO and L’artisan du Liban—have worked to keep Lebanese artisanry alive and are beginning to introduce traditional local crafts in international markets. Though industrial development made traditional crafts more expensive, recent globalizing trends and improved digital markets may help some local artisans find a viable market for their goods abroad. While it is too early to tell what the future holds for Lebanese crafts in the international market, at least here at home some local artisans have found the support needed to keep centuries’ old traditions alive.

April 5, 2019 0 comments
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Since its first edition emerged on the newsstands in 1999, Executive Magazine has been dedicated to providing its readers with the most up-to-date local and regional business news. Executive is a monthly business magazine that offers readers in-depth analyses on the Lebanese world of commerce, covering all the major sectors – from banking, finance, and insurance to technology, tourism, hospitality, media, and retail.

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